Herbert Leupin, Poster Collection 28, 2016

Information

Edited by Museum für Gestaltung Zürich, Bettina Richter
With an essay by Hermann Strittmatter
Design: Integral Lars Müller
16,5 x 24 cm, 6 ½ x 9 ½ in
80 pages, 90 illustrations
paperback
2016, 978-3-03778-506-5, German/English

“Marking the centenary of his birth, the “Poster Collection” series devotes its 28th edition to the iconic Swiss poster designer Herbert Leupin (1916 –1999). Primarily conceiving posters for consumer goods, Leupin created advertising for products as diverse as the soft drink Pepita, charcuterie from Grossmetzgerei Bell, and Roth-Händle cigarettes. He helped these and many other companies develop their own brand identity and a recognizable presence in public space. In doing so, he struck the right balance between old-school artist’s posters and a methodology for a successful publicity strategy — and thus bridged the increasingly wide divide between art, graphic design, and advertising.” Lars Müller Publishers

Details

Linked Information

Herbert Leupin, Poster Collection 28, 2016
Herbert Leupin, Poster Collection 28, 2016
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
A review of the memorial exhibition of Edward McKnight Kauffer at the Victoria and Albert Museum in 1955 by F.H.K. Hernion
The covers of the periodical ALMANAQUE, which was published in Lisbon, are perfect examples of this pleasure in the unusual and the force of with which all sorts of foreign influences are assimilated.
In Rau's case, the combination of graphic design and photo produces a particularly positive result, since he uses the photo not so much as an object of representation but rather as a suggestive means of expression.
Why Graphic Culture Matters is a compilation of 46 thought-provoking essays by renowned design critic Rick Poynor, delving into the realms of art, design, and visual communication.