Information

Content includes:
Rudolf Dietrich: Überall Paare
Alle Tage Ehe. Beobachtungen von Sempé.
Markus Dlouhy: Gleich und gleich gesellt sich gern.
Germaine Seeliger und Claus Heinrich Meyer: Die he? Kein Thema.
Postkarten aus Paltsi von Susanne Sulger.
Ralf Baumgarten: Paarweise.
Mark Gisler und Dietrich Leube: Zwillingstürme.
Anita Albus: Freiheit? Gleichheit? Brüderlichkeit!
Andreas Baier: Traumpaare.
Donald Evans
Passagen
Bradbury Thompson
Titelfoto: Thomas Schmid

Details

Linked Information

HQ- High Quality, Heft 25 1/1993. Designed by Büro Rolf Müller
HQ- High Quality, Heft 25 1/1993. Designed by Büro Rolf Müller
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Olle Eksell is well known for his advertising illustration, book jackets and playful packaging design. He first studied engineering and later decided to become a graphic artist. He began his career as a window decorator in 1935, and studied under Hugo Steiner between 1939 and 1941.

Members Content

The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.
The versatility of the arrow sign knows no bounds – from thin lines exuding delicacy to thick, heavy-set lines conveying stability and weight. Depending on its construction, the arrow sign can speak with individuality, even possessing psychological and emotional expression.

Members Content

Omnibus was Published by the journalism working group of the Technical University of Braunschweig. A square publication measuring 290mm. The publication included features on politics, arts and culture. With advertisements carefully selected to be in keeping with the visual aesthetic. Content also included exhibition information and a fine example of concrete poetry, among artists such as Schröder-Sonnenstern and Sine Hansen.