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Special Issue on Modern Advertising Arts in Germany
Otl Aicher, Richard Roth, Helmut Lortz, Hans Schweiss, Hans Lohrer, Hans & Ruth Albitz, Alfred Resch, Toni Zeph, Michael Engelmann, Hans Haderek, Heinrich Tewes
Design and Dessin by Shichiro Imatake
Otto Aicher, Helmut Lortz and Hans Lohrer
Hans Schweiss and Alfred Resch
Shoji Yokota (Aji-no-moto Co.)
Yoshinosuke Mitsui and Susumu Suzuki (Morinaga Confectionery Co.)
Modern Advertising Arts in Germany by Dr. W. Löer by Dr. W. Löer
Discussion on German Commercial Artists And Their Works by Hiroshi Ohchi and Hiroshi Hara
Memorandum of My Works by Yusaku Kamekura, Ryuichi Yamashiro, Takehiko Miyanaga, Reikichi Yura, Yoshinosuke Mitsui, Hideyuki Oka, Ryukichi Shibuya
What’s Good in Newspaper Ads? by H. Ino, M. Kawasaki, M. Fujimoto, M. Ito, M. Okuda, S. Ohashi, T. Imaizumi, K. Endo, I. Shiibashi, H. Mukai, K. Komae
Do’s and Dont’s for Direct-mail Advertisers, Methods of List Building and Testing by Printer’s Ink

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Idea 007, 1954. Cover design by Helmut Lortz
Idea 007, 1954. Cover design by Helmut Lortz

 

Idea 007, 1954. Inner
Idea 007, 1954. Inner

 

Idea 007, 1954.Bank Cover
Idea 007, 1954.Bank Cover
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Victorian Graphic Design left a mark on both British and American design history. In Britain, the ornate embellishments served as a symbol of prosperity and cultural values. Meanwhile, America embraced the combination of various design elements to navigate the complexities of a rapidly changing society driven by industrialisation and consumerism.
Simon Dixon is the co-founder of DixonBaxi and has been at the forefront of exceptional design from the start of his carreer. This year, DixonBaxi, celebrated twenty years in business, and their team of forty work with clients such as WWE, MAX, Premier League, Channel 4 and Netflix.

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Before setting up Ken Garland & Associates in Camden, London, Ken was art editor of Design magazine in 1956. The magazine was published by the Council of Industrial Design, which was set up in 1944 with the prime focus of supporting Britains economic recovery.

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Gregory Vines' design and process behind the Typographische Monatsblätter 1978 covers. From the initial inspiration drawn from Bellinzona's gate to the process of film montage, resulting in six stunning cover masterpieces.