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Collected Graphic Design History from Design Reviewed

Idea 013, 1955

Information

Content includes:
AGI Exhibition in Paris by H. Kaido
Reproduction of AGI Exhibition Leupin, Lewitt-Him, Giusti, Savignac, Villemot, Monnerat, Carlu
The Best 10 Posters of the World
For the Establishment of Modern Design by K. Takahashi
Five-Men Show of Commercial Design by S. Arai
Poster of FUJI Cigaret H. Ohchi
Reproduction of AGI Exhibition by Leupin, Lewitt-Him, Giusti, Savignac, Villemot, Monnerat, Carlu
Reproduction of Five-Men Show by Ito, Hayashi, Nakamura, Masuda, Aoki
Why Has Advertising Copy Become a Topic for Discussion? by K. Endo
Raymond Loewy and His Impression by S. Kinugasa
New Look of Display by Printer’s Ink
Prize Designs Awarded By New York Art Director’s Club

Details

  • Format: Magazine
  • Designer/s: Hiromu Hara
  • Year: 1955
  • Client/Publisher: Seibundo Shinkosha Publishing Co
  • Size: 225mm x 297mm

Linked Information

Idea 013, 1955. Cover design by Hiromu Hara
Idea 013, 1955. Cover design by Hiromu Hara
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Design, Council of Industrial Design, 126, June 1959. Cover design by Hans Schleger
From the design archive:

Design, Council of Industrial Design, 126, June 1959

  • Format: Magazine
  • Designer/s: Hans Schleger /Zero
  • Year: 1959
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Industrial Art News – Vol. 30, No. 5, Winter 1963. Cover design by Hiroshi Ohchi
From the design archive:

Industrial Art News – Vol. 30, No. 5, Winter 1963

  • Format: Magazine
  • Designer/s: Hiroshi Ohchi
  • Year: 1963
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Art and Industry magazine August 1948
From the design archive:

Art and Industry magazine August 1948

  • Format: Magazine
  • Year: 1948
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Architectural Design, October 1963. Cover design by Theo Crosby
From the design archive:

Architectural Design, October 1963

  • Format: Magazine
  • Designer/s: Theo Crosby
  • Year: 1963
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Members Content

Wolfgang Bäumer, Singular Graphic Composition, the advertisements of the Klöckner-Werke AG
  • Design Archive Feature, Members Only Content

Wolfgang Bäumer, Singular Graphic Composition, the advertisements of the Klöckner-Werke AG

Bäumer gave the company a unique brand image amplifying its graphical image after a time of post-war economic recovery. This style of advertising composition can be seen across many 1960s campaigns, especially from other German designers such as Anton Stankowski.
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  • Design Archive Feature, Members Only Content

Giovanni Pintori and his definitive visual language for Olivetti

Giovanni began his work with Olivetti in March 1938, and his work was showcased in various exhibitions and had a clear distinctive style that amplified the Olivetti brand image. His design defined the company’s visual image, and the iconic geometric designs are still as powerful and engaging today as they were in the 1950s.
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Members Content

Poster for the University Ball, University in St. Gallen, Switzerland, 1961. Scanned from Der Druckspiegel 08, 1962.
  • Design Archive Feature, Members Only Content

Advertising a University Ball at St. Gallen, Switzerland, 1961

Perusing an issue of Der Druckspiegel from 1962, I found these fantastic examples of Swiss Design, produced for the University Ball at the University in St. Gallen, Switzerland, in 1961. The advertising matter included posters, newspaper advertisements, cinema slides, invitation cards and a booklet. 
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  • Design Archive Feature

House Style – Why it important? by Alec Davis

House style can give identity to the diverse products or activities of a firm. It stimulates loyalty, helps to reduce costs, and has advertising value.
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