Information

Editor: Takashi Miyayama
Art Director: Hiroshi Ohchi
Cover design: Ayao Yamana
Graphic Arts
Advertising for Vetroflex
Staatliche Akademie der Bildenden Künste
Poster Composition
Works of College Graduating Students
Retrospect of the Late Alvin Lustig
Works of Munari
The Nika Exhibition (Commercial Arts)
Designers in Central Japan
Color Pages
Poster Composition
Tokyo Univ. of Art Students’ Works
Works of the Designers in Central Japan
Editorials
History of Western Fine Arts by H. Hara
A Brief History of Commercial Arts in Japan by A. Yamana
Trap of Interest: Fiction by S. Imatake
Voice of Local Designer
Local News
Editor’s Note by T. Miyayama

Details

Linked Information

Idea 017, 1956. Cover design by Ayao Yamana
Idea 017, 1956. Cover design by Ayao Yamana
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.