Idea 042, 1960

Information

Graphic Arts
NOVUM, Karl Oskar Blase, Fritz Fischer, Dorothea Nosbisch, Hans Hillmann, Hans Michel, Gunther Kieser, Helmut Lortz, Erika Muller, Enzo Rosli, Wolfgang Schmidt, Alex Steinweiss

Editorials
WoDeCo “My Proposition”
Design reviewed by Herbert Bayer
My educational method by J. Muller-Brockmann
The KATACHI by Yusaku Kamekura
Individuality in design by Yoshio Hayakawa
Design & communication by Herbert Pinzke
Creativity in design by Saul Bass
Possibility and society by Otto Aicher
Internationality of design by Walter Landor
Design as communication by Takeji Imaizumi
Design in space age by Kohei Sugiura
Designing packages by Walter Landor
Movie title and abstraction in design by Saul Bass & J. Muller-Brockmann
Exhibitions in Design Year

Details

Linked Information

Idea 042, 1960. Cover design by Fischer-Nosbisch
Idea 042, 1960. Cover design by Fischer-Nosbisch
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
In the late 1960s, IBM was one of the world’s pre-eminent corporations, employing over 250,000 people in 100 countries. While Paul Rand’s creative genius has been well documented, the work of the IBM staff designers who executed his intent outlined in the IBM Design Guide has often gone unnoticed.

Members Content

Victorian Graphic Design left a mark on both British and American design history. In Britain, the ornate embellishments served as a symbol of prosperity and cultural values. Meanwhile, America embraced the combination of various design elements to navigate the complexities of a rapidly changing society driven by industrialisation and consumerism.

Members Content

His distinctive style echoes the artistic expressions of fellow Italian designers Giovanni Pintori and Erberto Carboni. Tovaglia's mastery in taking concepts and translating them into visually compelling narratives is evident in this selection of advertisements I have scanned from Gebrauchsgraphik, 10, 1955.
An advertising programme is fully integrated only when its effect is powerful enough to play a major part in determining a corporate image. Geigy advertising is an example of this successful integration.