Idea 111, 1972-3

Content includes:
David Chestnutt
Jack Foster
Study on “Image in Print” by Hiromu Hara
Yasuo Mizui – His personality & Works by Hiroshi Ohchi
Amil Gargano
Scali, McCabe, Sloves, Inc.
Jim Miho / Tomoko Miho Arrangement and layout by Jitsuo Hoashi, Text by Tomo Mann, Toshihiro Katayama and Jitsuo Hoashi
Ardeshire Mohasses Akiko Hyuga
About Imatake’s Art – In “Virtual Image & Real” Takachiyo Uemura

Details

  • Format Magazine / Periodical / Journal
  • Designer/s Jim Miho (Cover design), Tomoko Miho (Artist), Ken Mori (Photo)
  • Year 1972
  • Client/Publisher Seibundo Shinkosha Publishing Co
Jim Miho (Cover design), Tomoko Miho (Artist), Ken Mori (Photo)
IDEA (Japan)
Idea is a Japanese design magazine that has been published since 1953, covering typography, visual identity, and contemporary graphics.

Linked Information

Idea 111, 1972-3. Jim Miho (Cover design), Tomoko Miho (Artist),  Ken Mori (Photo)
Idea 111, 1972-3. Jim Miho (Cover design), Tomoko Miho (Artist), Ken Mori (Photo)
More graphic design artefacts
More graphic design history articles
Designers and Books Series – Mark Bloom

Designer Interview

Designers and Books Series – Mark Bloom

Mark Bloom has designs for globally recognised brands, produces some of the finest, most accessible modern typefaces and heads up Mash Creative and CoType Foundry. His type foundry has always been a port of call for our studio's brand projects and he continues to develop these, each with a fantastic print specimen.

Read Article
Art Nouveau to Modernism – Graphic Design History

Design Archive Feature, Members Only Content, Movements, Typography & Type Design

Art Nouveau to Modernism – Graphic Design History

From Jugend and Ver Sacrum to Penrose Annual, an essay on design movements, shaping modernism, and early graphic design.

Read Article
The Aims of Young Designers: George Plante, 1934

Advertising Design, Design Archive Feature, Illustration

The Aims of Young Designers: George Plante, 1934

“They’ll never stand for that” and “It’s too modern” are, as George Plante aptly puts it, the restraintive thoughts which beset a commercial artist who tries to let himself go.

Read Article