Editor in chief: Yoshihisa Ishihara
Assistant Editor: Tadashi Hamada
Editorial Cooperation: Ohchi Design Office and Midori Imatake
Cover Design: Ikko Tanaka
Contents include:
Chas. B. Slackman by Jerome Snyder
Display Design by Ikko Tanaka by Shigeru Uchida
Show of Old Advertising on Display at New York Art Directors Club by Jo Yanow, Shin’ichiro Tora
Design Courses at Cornell University – Dennis Ichiyama by Midori Imatake
New York Art Directors Club’s 3rd “Hall of Fame” Award Presentation
Michael English, a Tactile Realist by Akiko Hyuga
Wilhelm Rieser
Talented Young Designer, Ken Kendrick by Jan Rajlich
Vartan Kurjian by Tadahisa Nishio
Olivetti New Logotype by Yasaburo Kuwayama
Eyewitness of Our Time by François Colos by Akiko Hyuga
Down-to-Earth Realism: Shiro Tatsumi, Haruo Takino, Osamu Turuta, Shiro Otani, Noritugu Oda, Sadao Sato by Yoshio Hayakawa
Allan Manham
“Shadow & Othe Japanese Images” Nathan Lerner Photo Exhibition
Hélène Majera and Her Sophisticated Illustration by Shigeru Watano
A Nucleus of Design: Graphic Designers Active in Central Japan by Shigeo Fukuda
Logotype by Yasaburo Kuwayama, a Pioneer in New Typeface Development by Tadasu Fukano
New Winds of Design: Public Poster, Hokkaido, 1975 & Graphic Design Competition, Kyushu and Okinawa, 1975
To Read the Clock – Yuji Baba’s Dial Plates
The Black & White Group Show by Shin’ichiro Tora
Songs of the Open Wall – Wallpaper Design by Contemporary Japanese Artists
Masaki Hisaya and His Illustrations for Kyoto Shinbun
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Movements, Advertising Design, Design Archive Feature, Members Only Content
Art Deco graphic design history: its Paris origins, key pioneers Cassandre, Carlu and McKnight Kauffer, and how the style evolved across Britain, Germany, Italy, Spain and the US.
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Advertising Design, Design Archive Feature, Designer Profiles, Members Only Content
Joseph Binder translated machine-age aesthetics into refined Art Deco compositions. These magazine covers have become prime examples of American commercial modernism.
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Design Archive Feature, Advertising Design, Members Only Content
Omnibus was Published by the journalism working group of the Technical University of Braunschweig. A square publication measuring 290mm. The publication included features on politics, arts and culture. With advertisements carefully selected to be in keeping with the visual aesthetic. Content also included exhibition information and a fine example of concrete poetry, among artists such as Schröder-Sonnenstern and Sine Hansen.
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