Editor in chief: Yoshihisa Ishihara
Assistant Editor: Tadashi Hamada
Editorial Cooperation: Midori Imatake and Ohchi Design Office
Cover Design: Michael Doret

Content includes:
Springett Wuttke by Midori Imatake
Lee Epstein Interviewer: Yoshiko Yahashi
Aaron Marcus, Graphic Designer and Graphic De-Signer by Midori Imatake
Michael Doret Interviewer: Yoshiko Yahashi
Marjorie L. Katz Interviewer: Yoshiko Yahashi
David Kaestle Interviewer: Yoshiko Yahashi
Graphic Design Now – Posters Shin’ichi Segi
’76 Greeting Card & Calendar
The International Confrontation of Children’s Book Illustration BIB ’75 by Jan Rajlich
Banyan Productions Pte Ltd, in Singapore
’76 Graduation Works of Graphic Art Students
Visual Identity in American Revolution Bicentennial Osamu Kayaba
Bicentennial Art Posters
Twentieth -century American Folk Art and Artist by Akiko Hyuga
Entries in 1976 One Show International Division Screened
The 36th Annual Exhibition of Art Culture Association
Exhibitions at Pieter Brattinga’s Print Gallery, Amsterdam


Linked Information

Idea 137, 1976-7. Cover design by Michael Doret
Idea 137, 1976-7. Cover design by Michael Doret
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.

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The collection of works I've gathered, designed for Olympia-Werke, showcases the height of mid-century German commercial artistry. The work was collated in a branded folder and contained forty brochures, advertisements and manuals.
Why Graphic Culture Matters is a compilation of 46 thought-provoking essays by renowned design critic Rick Poynor, delving into the realms of art, design, and visual communication.

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In the late 1950s, Hans W. Brose agency, with designers Pierre Mendell, Michael Engelmann, and Klaus Oberer, crafted a compelling, colourless campaign for Bols.