Information

Editor in chief: Yoshihisa Ishihara
Assistant Editor: Tadashi Hamada
Editorial Cooperation: Midori Imatake
Editorial Cooperation: Ohchi Design Office
Cover Design: Michael O’neill

Content incudes:
Michael O’neill Layout: Shigeo Fukuda, Interviewer: Yoshiko Yahashi
Hard [sic.] Lubalin and U&lc. Interviewer: Yoshiko Yahashi
Avenue Magazine of Netherlands by Shigeru Watano
Rick Horton
Robert Reitzfeld
18th Annual National Exhibition by Shin’ichiro Tora
Allan Beaver Interviewer: Yoshiko Yahashi
’76 JPDA Exhibition Iwataro Koike, Takashi Kanome
Roland Aeschlimann by Shigeru Watano
Graphic Design in Kyushu by Yoshio Hayakawa
Compositions by the Two by Shin’ichi Segi
Ikkaisai Yoshitoshi, Ukiyoe Artist of Great Super-temporal Originality by Shin’ichi Segi, Yoshio Hayakawa
“Graphic 20” in Kyoto
Photographic Anthology of Tadanori Yokoo and his friends and India by Kishin Shinoyama
Ms. RitaSue Siegel disclosed opinions

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Linked Information

Idea 138, 1976-9. Cover deisgn by Michael O’neill
Idea 138, 1976-9. Cover deisgn by Michael O’neill
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.