Information

Editor in chief: Yoshihisa Ishihara
Assistant Editor: Tadashi Hamada
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake
Cover design: Robert Giusti

Content includes:
Special feature: The One Show 1976, Co-sponsored by the 55th Art Directors Club of New York and the 15th Copy Club of New York Cooerdinator and Interviewer: Shin’ichiro Tora
The One Show, a working history by Jo Yanow
The president’s message by Eileen Hedy Schultz
Interview with Mr. Kurt Haiman, Chairman for the One Show 1976
Interview with Mr. Rudy Wolf, Co-Chairman of Graphic Design Category
Interview with Mr. Ernie Scafone, Co-Chairman of the Editorial Design Category
What made me think about after I served as a judge for the International Division by Shin’ichiro Tora
The 7th Biennale of Graphic Design in Brno
Chermayeff’s Posters by Shigeo Fukuda
The art direction for the CITY Magazine by Takenobu Igarashi
Edger Reinhard by Shigeru Watano
Giovanni Mulazzani
Raymond Poelvoorde, Executive Vice President, Lippincott & Margulies, Inc. Interviewer: Midori Imatake
William R. Tobias Interviewer: Midori Imatake
William R. Tobias by Midori Imatake
Design Forum 1976 Exhibition

Details

Linked Information

Idea 140, 1977-1. Cover design by Robert Giusti
Idea 140, 1977-1. Cover design by Robert Giusti
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.