Information

Editor in chief: Yoshihisa Ishihara
Assistant Editor: Tadashi Hamada
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake
Cover illustration: John Van Hamersveld
Cover design: Takenobu Igarashi

Contents include:
John Van Hamersveld by Takenobu Igarashi
W. Weingart’s Typography by Helmut Schumid
Interior & Applied Graphics for Pedestrian Subways, Heathrow Airport, London by Midori Imatake
The visual identity for Erlangen City
Dick Bruna’s exhibition won popularity with the children by Shigeru Watano
The Type Directors Club of New York’s 23rd exhibition by Motoaki Okuizumi
Annual of Advertising Art in Japan ’77 by Tamotsu Ejima
Frans Evenhuis’ Editorial Design for a Newspaper by Shigeru Watano
The Design Education at UCLA by Toshifumi Kawahara
’77 Greeting card
Calendar 1977
Illustrators in New York
Roger Huyssen
Robert Grossman
John O’Leary
Kim Whitesides
George Stavrinos
David Palladin
Tadashi Masuda, A Beauty Hunter by Taro Yamamoto
Jean Larcher, who continues to unrestrainedly studying typography, and his two books by Yukio Kanise

Details

Linked Information

Idea 146, 1978-1. Cover design Takenobu Igarashi
Idea 146, 1978-1. Cover design Takenobu Igarashi
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.