Information

Editor in chief: Yoshihisa Ishihara
Assistant Editor: Tadashi Hamada
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake
Cover design: Tadanori Yokoo

Contents include:
Special Feature: Japanese Graphic Idea Exhibition ’77
President’s Statement by David Davidian
How “Japanese Graphic Idea Exhibitin ’77” Was Planned and Implemented by Shin’ichiro Tora
On First Comprehensive Japanese Graphic Design Exhibition in New York by Yoshihisa Ishihara
From American Judges’ Meeting for Exchange of Views on Results of judging Entries in “Japanese Graphic Idea Exhibition ’77” by Jitsuo Hoashi
On Award Winners and Selected Pieces of Work at “Japanese Graphic Idea Exhibition ’77” by Koichi Nakai
On Award Winners at “Japanese Graphic Idea Exhibition” by Kazumasa Nagai
Ten years in service of graphic design, ICOGRADA by Jan Rajlich
Tendencies in 1920s Exhibition Shigeru Watano
David’s Lemonade corporate identity manual by Yusuke Yamamoto
Implement & John Harrison Layout: Imatake & Associates Inc.
Printed matters for the citizen by Helmut Schmid
Graphic Designers’ Fine Art by Shin’ichi Segi
ZEN Environmental Design
ACA Exhibition
Graphic Design in Nagoya
Paul Davis
Interviw [sic] with Paul Davis by Takenobu Igarashi Design Office
Newspaper ad. by Hideo Mukai

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Linked Information

Idea 147, 1978-3, Cover design by Tadanori Yokoo
Idea 147, 1978-3, Cover design by Tadanori Yokoo

More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.