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Content includes:
Anton Stankowski, F. H. K. Henrion, Frieder Grindler, Colin Forbes, Alan Fletcher, Wim Crouwel, Adrian Frutiger, Jacques Richez, Silvio Coppola, George Him, Hermann Zapf, Karl Oskar Blase, Pieter Brattinga, Josef Müller-Brockmann, Stanislav Kovář, Gunther Kieser, Wolf D. Zimmermann, John Gorham, Heiri Steiner, Hans Hillmann, Jan van Toorn, Franco Bassi, Bernard Villemot, Kurt Wirth, Hans Schleger, Emanuele Luzzati, Pino Tovaglia, Helmut Schmidt-Rhen, Allen Hurlburt, Giulio Confalonieri, Michael Foreman, Giulio Cittato, Siegfried Odermatt, Roman Cieslewicz, Heinz Waibl, Jean Widmer, Flavio Costantini, Pierre Boucher, Arnold Schwartzman, Gilles Fiszman, Ruedi Külling, Mark Zeugin, B. K. Wiese, David Pelham, Herbert W. Kapitzki, Franco Grignani, Georges Calame, Peter Megert, Waldemar Swierzy, Rosmarie Tissi, Mervyn Kurlansky, John McConnell, Jukka Veistola, Kurt Weidemann, Rambow, Lienemeyer, Van de Sand, Stuart Ash, Jean David, Heather Cooper, Makoto Nakamura, Ikko Tanaka, Tadanori Yokoo, Katsumi Asaba, Kazumasa Nagai, Yoshio Hayakawa, Yasaburo Kuwayama, Shigeo Fukuda, Kiyoshi Awazu, Isao Nishijima, Yusaku Kamekura, U. G. Satoh, Shigeo Okamoto, Tadashi Ohashi, Takenobu Igarashi, Eiko Ishioka

Graphic Design in Europe by Colin Forbes
The main stream and branch of the graphic design for the latest 25 years in Europe by Anton Stankowski
Japanese design and European design by Shigeru Watano
Japan’s Present Graphic Design Situation by Shin’ichi Segi
Past 25 Years of Japanese Grpahic Design by Kazumasa Nagai
Postscript by the Editor
List of Designers who appear in this issue
Index to Overseas Artists and their Works (from No. 1 to No. 149 issues)

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Idea 150, 1978-09. Cover design by Kazumasa Nagai
Idea 150, 1978-09. Cover design by Kazumasa Nagai
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.