Information

Editor in chief: Yoshihisa Ishihara
Assistant Editor: Tadashi Hamada
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake
Printers: Dainippon Printing Co., Ltd.
Printers: Mitsumura Printing Co., Ltd.
Printers: Nishiki Printing Co., Ltd.
Cover Design: Milton Glaser
Art Editor: Midori Imatake
Layout: Imatake Design Associates Inc.
Transration: Kyoko Kodama, Midori Imatake
Collaborator: Ritasue Siegel

Silver Anniversary Extra Feature: Important US Graphic Designers of the Last Twenty-five Years
Introduction / Impoertant US Graphic Designers of the Last Twenty-five Years by RitaSue Siegel

Established Designers
Massimo Vignelli
Eugene Grossman
Seymour Chwast
Henry Wolf
James N. Miho
John Berg
Roger Ferriter
William R. Tobias
Don Ervin
Arnold Saks
John R. Reieben
John Follis
John deCesare
John Massey
George Tscherny
Fred Troller
Ira Schwartz
Muriel Cooper
Vance Jonson
Theo Welti
Louis Dorfsman
Robert Miles Runyan
Milton Glaser
James Cross
Sheldon Seidler
Robert D. Scudellari
Ivan Chermayeff
Rudolph de Harak
Jacqueline Casey
Barbara Stauffacher Solomon
Philip Gips
Harris Lewine
Richard Hess

Emerging Designers
Rochelle Udell
Ingo Scharrenbroich
Michael Salisbury
Joel Katz
Grant Smith
John Milligan
John Lister
Kit Hinrichs
IRIS
Stephan Geissbuhler
Sheila Levrant de Bretteville
Sheldon Rysner
David November
Bill Sontag
Dugald Stermer
Eddie Byrd
Thomas D. Morin
Wilburn Bonnell
Bea Feitler
Harri Boller
Peter Harrison
Willi Kunz
Tony Lane
Ruth Ansel
Paul D. Miller
Ine Wijtvliet
Walter Bernard

U.S. Visual Design: The Present Quarter-Century by Wilburn Bonnell
In Prospecr [sic] by Midori Imatake

Details

Linked Information

Idea 151 1978 11
Idea 151, 1978-11. Cover design by Milton Glaser
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.