Cover Design: Ikko Tanaka
Editor in chief: Yoshihisa Ishihara
Editorial Director: Noboru Sakamoto
Publisher: Shigeo Ogawa
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake
Content includes:
Special feature: Ikko Tanaka / World of Symbols by Motoo Nakanishi
Pierre Le-Tan by Shigeru Watano
The ballets transformed by the three art of graphic designers by Syuji Fujii
The Original Art by Dills Evans, Shinichiro Tora
Hirokazu Hashimoto and his elaborate illustration by Hideo Mukai
Tadanori Yokoo oneman exhibition by Shigesato Itoi
New York Art Directors Club, “Hall of Fame in 1980” Gene Federico, Otto Storch, Henry Wolf
Billboard Spectaculars by Marc Treib
Seibu Lions design policy by Gan Hosoya, Tadasu Fukano
Group Grapus by Gérard Mermoz
The Corporate design for the Hotel New Carina
Ken Miki’s Creative Idiosyncrasy
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
The versatility of the arrow sign knows no bounds – from thin lines exuding delicacy to thick, heavy-set lines conveying stability and weight. Depending on its construction, the arrow sign can speak with individuality, even possessing psychological and emotional expression.
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Design Archive Feature, Illustration, Magazines & Publishing, Members Only Content
Last year (2024), I came across a selection of his design work for n+m: Naturwissenschaft und Medizin (Natural Science and Medicine) magazine. Erwin Poell's work for n+m magazine, which was published between 1964 and 1971 by C.F. Boehringer & Söhne, is a fantastic example of engaging and accessible data visualisation.
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Design Archive Feature, Magazines & Publishing, Members Only Content
Graphis is one of the industries most long-standing magazines. It was first published in 1944 and founded by Walter Herdeg and Walter Amstutz in Zurich, Switzerland. It was released bimonthly and was trilingual, with articles in English, French and German.
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