Idea 170, 1982-1

Cover Illustration: Stephan Kantscheff
Editor in chief: Yoshihisa Ishihara
Editorial Director: Noboru Sakamoto
Publisher: Shigeo Ogawa
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake

Content includes:
Stephan Kantscheff / Bulgaria
Jim Heimann
Javques Poirier by Shigeru Watano
Jacques Richez traps colours behind drawing
Yôji Yamamoto, Art Director by Kazumasa Nagai
The Symbol Marks of Shigeo Katsuoka by Hideo Mukai
Lahti IV Poster Biennale bt U. G. Sato
Beyond Food, Clothing and Shelter / Design Forum ’81 Biennale by Shigeo Fukuda
The Japanese Graphic Idea Exhibition ’81 Held at Master Eagle Gallery, New York by Shinichiro Tora, Yoshihisa Ishihara, James Craig, Brenda Suler, Bob Cullinane, Diane Di Lauro, U. G. Sato
Special feature: Type Directors Club 27th Annual Exhibition by Bonita Hazelton, Stanley Markocki, Yasaburo Kuwayama, Motoaki Okuizumi

Details

Stephan Kantscheff
IDEA (Japan)
Idea is a Japanese design magazine that has been published since 1953, covering typography, visual identity, and contemporary graphics.

Linked Information

Idea 170, 1982-1. Cover design by Stephan Kantscheff
Idea 170, 1982-1. Cover design by Stephan Kantscheff

Idea 170, 1982-1 Inner Spread
Idea 170, 1982-1 Inner Spread

 

Idea 170, 1982-1 Inner Spread
Idea 170, 1982-1 Inner Spread

 

Idea 170, 1982-1 Inner Spread
Idea 170, 1982-1 Inner Spread

 

Idea 170, 1982-1. Stamp designs by Stephan Kantscheff
Idea 170, 1982-1. Stamp designs by Stephan Kantscheff
More graphic design artefacts
More graphic design history articles
Gregory Vines – Design and Process of the Typographische Monatsblätter 1978 Covers

Design Archive Feature, Magazines & Publishing, Members Only Content, Typography & Type Design

Gregory Vines – Design and Process of the Typographische Monatsblätter 1978 Covers

Gregory Vines' design and process behind the Typographische Monatsblätter 1978 covers. From the initial inspiration drawn from Bellinzona's gate to the process of film montage, resulting in six stunning cover masterpieces.

Read Article
A New Visual Aesthetic. Hermann Rastorfer and the advertising for Volkswagen

Advertising Design, Design Archive Feature, Members Only Content

A New Visual Aesthetic. Hermann Rastorfer and the advertising for Volkswagen

Rastorfer transformed the advertising of Volkswagen and his work contrasted with that of the previously commissioned designers. It reiterates the importance of finding a designer who can transform your vision and adverting and how the significance of consistent messaging across advertisements, contributes to the creation of a memorable campaign 

Read Article
The Magic and Work of Günther Glückert

Design Archive Feature, Illustration, Members Only Content

The Magic and Work of Günther Glückert

Little is known about the talented designer Günther Glückert. Born during the 1930s, a period that proved less than conducive to nurturing youthful artistic endeavours, did not halt Glückert's path of becoming a talented designer.

Read Article