Information

Cover Illustration: James McMullan
Editor in chief: Yoshihisa Ishihara
Editorial Director: Noboru Sakamoto
Publisher: Shigeo Ogawa
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake

Content includes:
Feature 1: Revealing Illustrations, The Art of James McMullan by James McMullan, Shinichiro Tora
Czechoslovak Exhibitions by Jan Rajlich
Feature 2: Canadian Posters by Raymond Vezina, Ph. D.
Marie Claire magazine by Shigeru Watano
Feature 3: Art Directors Club’s 1982 “Hall of Fame” Award, Richard Avedon, Amil Gargano, Jerome Snyder, Massimo Vignelli. by Shinichiro Tora, Henry Wolf
Broadcast Designers’ Association: Fourth Annual Design Competition by Hideyuki Kaneko
Graphic Design Dept. at Newcastle upon Tyne Polytechnic by D. W. S. Gray
N. Y. Illustration Express by Yoshihisa Ishihara
The Fourth Yomiuri International Cartoon Contest by Akiko Hyuga

Details

Linked Information

Idea 178, 1983-5. Cover design by James McMullan
Idea 178, 1983-5. Cover design by James McMullan
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Crouwel was the successor to Willem Sandberg who used an avant-garde approach in his work, utilising torn-paper montage, mixing of sans serif and old Egyptian typefaces and often off-center positioning. Crouwel steered away from this artistic approach and implemented a cohesive design system and a strong identity that emulated the corporate identity boom of the 1950s and 60s.

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Theo Crosby was born in South Africa in 1925 and moved to Britain in the late 1940s. He was a highly skilled designer, architect and sculptor. He became the technical editor of Architectural Design magazine in 1953 and remained in the post for almost a decade. The large format magazines feature an array of content including information on buildings, materials and architectural plans.

Members Content

In my previous article about the design work produced for Insituto di Tella, I touched upon the artists Juan Carlos Distéfano, Ruben Fontana and Juan Andralis. After further research, I found a suite of other designs they had produced, including exhibition posters, concert programmes and record sleeves.
I came across two sample books containing printed examples of the work executed by the students in the Composing and Machine Departments of the Polytechnic School of Printing, between 1907 and 1910. I couldn't resist adding these to the archive.