Information

Cover Illustration: James McMullan
Editor in chief: Yoshihisa Ishihara
Editorial Director: Noboru Sakamoto
Publisher: Shigeo Ogawa
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake

Content includes:
Feature 1: Revealing Illustrations, The Art of James McMullan by James McMullan, Shinichiro Tora
Czechoslovak Exhibitions by Jan Rajlich
Feature 2: Canadian Posters by Raymond Vezina, Ph. D.
Marie Claire magazine by Shigeru Watano
Feature 3: Art Directors Club’s 1982 “Hall of Fame” Award, Richard Avedon, Amil Gargano, Jerome Snyder, Massimo Vignelli. by Shinichiro Tora, Henry Wolf
Broadcast Designers’ Association: Fourth Annual Design Competition by Hideyuki Kaneko
Graphic Design Dept. at Newcastle upon Tyne Polytechnic by D. W. S. Gray
N. Y. Illustration Express by Yoshihisa Ishihara
The Fourth Yomiuri International Cartoon Contest by Akiko Hyuga

Details

Linked Information

Idea 178, 1983-5. Cover design by James McMullan
Idea 178, 1983-5. Cover design by James McMullan
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.