Tadanori Yokoo

Idea 183, 1984-3

Cover Design and Illustration: Tadanori Yokoo
Editor in chief: Yoshihisa Ishihara
Editorial Director: Kazuchika Sunaga
Publisher: Shigeo Ogawa
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake

Content includes:
Tadanori Yokoo’s Work Overseas by Donald Richie
Four American Illustrators: Wilson McLean, Bill Nelson, Rick McCollum, Gary Kellety
Makoto Nakamura Poster Works by Shin’ichiro Tora, Kazumasa Nagai, Makoto Nakamura
International Design Competition and International Design Award by Midori Imatake
Mariet Numan’s Illustrations by Shigeru Watano
Hideo Watanabe in full swing in Japan after Studying in England and the States by Susumu Harada
Special Feature: The Modern American Poster by Ikko Tanaka, Shigeo Fukuda, Takenobu Igarashi, Koichi Satoh
Approaches to Space: The works of Toshihiro Katayama
Tadanori Yokoo’s exhibition in France
The late Mr. Masaru Katsumi and achievements

Details

Tadanori Yokoo
‘Tadanori Yokoo was born in 1936 in Nishiwaki City, Hyogo Prefecture, Japan and in 1969 received the grand prix in the print category at the 6th Youth Biennial in Paris. In 1972 he held a one-man show at the Museum of Modern Art, New York, and in 1974 won a gold medal at the Warsaw Poster Biennial, a silver medal at the Brno Graphic Art Biennial, and the Hyogo Prefectural Museum of Modern Art Award at the 9th Tokyo International Print Biennial. In 1975 he received the Mainichi Design Award, and in 1976 took part in the Venice Biennial exhibition, "Works by 5 International Designers." He held a one-man show at the Museum of Advertising Art in Paris in 1983, and in 1985 participated in both the 13th Paris Biennial and the 18th Sao Paulo Biennial. Another one-man show followed in 1987 at the Saison Art Museum, and in 1989 he received an honorary award at the 4th Asia Art Biennial, Bangladesh. In 1991 he took part in the exhibition "Beyond Japan: A Photo Theatre" held at the Barbican Art Gallery in London. Tadanori Yokoo held another one-man show in 1992 at Loft Forum in Tokyo.’ 100 Graphic Designers of the World. Idea Special Edition Explore related designers including Kiyoshi Awazu and Shigeo Fukuda. See also Japanese Modernism, Japanese graphic design history, and 1960s graphic design history.
IDEA (Japan)
Idea is a Japanese design magazine that has been published since 1953, covering typography, visual identity, and contemporary graphics.

Linked Information

Idea 183 1984 3
Idea 183, 1984-3. Cover design by Tadanori Yokoo
More graphic design artefacts
More graphic design history articles
Gebrauchsgraphik – Almost a Century of Design Reference

Design Archive Feature, Magazines & Publishing, Members Only Content

Gebrauchsgraphik – Almost a Century of Design Reference

The dedication of Gebrauchsgraphiks editors and publishers significantly influenced the spread and impact of graphic design, documenting countless designers who might otherwise have been forgotten over the last century since its first issue hit newsstands. Design magazines play a crucial role in supporting the design profession and remain vital resources for designers and historians alike.

Read Article
To Have and To Hold: A visual collection of paper bag ephemera from a bygone era

Book Reviews & Press Releases

To Have and To Hold: A visual collection of paper bag ephemera from a bygone era

To Have and To Hold, contains hundreds of bag designs collected during over half a century. The book is a must-buy for anyone interested in ephemera, the history of design or British high street history.

Read Article
Student work from the 1964 Class of Typography, at Pratt Institute, New York

Design Archive Feature, Design Education, Members Only Content, Regional Histories, Typography & Type Design

Student work from the 1964 Class of Typography, at Pratt Institute, New York

The August 1964 issue highlights the Typography class at the Pratt Institute in New York, a relatively new course at the time. Pratt, one of the most renowned art schools in the United States, had departments for graphic design, painting, art education, industrial design, and applied graphics in the 1960s. The typography course combined theoretical lectures with practical workshops, aimed at students beginning their journey into the discipline.

Read Article