Cover Design and Illustration: Tadanori Yokoo
Editor in chief: Yoshihisa Ishihara
Editorial Director: Kazuchika Sunaga
Publisher: Shigeo Ogawa
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake
Content includes:
Tadanori Yokoo’s Work Overseas by Donald Richie
Four American Illustrators: Wilson McLean, Bill Nelson, Rick McCollum, Gary Kellety
Makoto Nakamura Poster Works by Shin’ichiro Tora, Kazumasa Nagai, Makoto Nakamura
International Design Competition and International Design Award by Midori Imatake
Mariet Numan’s Illustrations by Shigeru Watano
Hideo Watanabe in full swing in Japan after Studying in England and the States by Susumu Harada
Special Feature: The Modern American Poster by Ikko Tanaka, Shigeo Fukuda, Takenobu Igarashi, Koichi Satoh
Approaches to Space: The works of Toshihiro Katayama
Tadanori Yokoo’s exhibition in France
The late Mr. Masaru Katsumi and achievements
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Design Archive Feature, Magazines & Publishing, Members Only Content
The dedication of Gebrauchsgraphiks editors and publishers significantly influenced the spread and impact of graphic design, documenting countless designers who might otherwise have been forgotten over the last century since its first issue hit newsstands. Design magazines play a crucial role in supporting the design profession and remain vital resources for designers and historians alike.
Read Article
To Have and To Hold, contains hundreds of bag designs collected during over half a century. The book is a must-buy for anyone interested in ephemera, the history of design or British high street history.
Read Article
Design Archive Feature, Design Education, Members Only Content, Regional Histories, Typography & Type Design
The August 1964 issue highlights the Typography class at the Pratt Institute in New York, a relatively new course at the time. Pratt, one of the most renowned art schools in the United States, had departments for graphic design, painting, art education, industrial design, and applied graphics in the 1960s. The typography course combined theoretical lectures with practical workshops, aimed at students beginning their journey into the discipline.
Read Article