Information

Cover Design and Illustration: Tadanori Yokoo
Editor in chief: Yoshihisa Ishihara
Editorial Director: Kazuchika Sunaga
Publisher: Shigeo Ogawa
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake

Content includes:
Tadanori Yokoo’s Work Overseas by Donald Richie
Four American Illustrators: Wilson McLean, Bill Nelson, Rick McCollum, Gary Kellety
Makoto Nakamura Poster Works by Shin’ichiro Tora, Kazumasa Nagai, Makoto Nakamura
International Design Competition and International Design Award by Midori Imatake
Mariet Numan’s Illustrations by Shigeru Watano
Hideo Watanabe in full swing in Japan after Studying in England and the States by Susumu Harada
Special Feature: The Modern American Poster by Ikko Tanaka, Shigeo Fukuda, Takenobu Igarashi, Koichi Satoh
Approaches to Space: The works of Toshihiro Katayama
Tadanori Yokoo’s exhibition in France
The late Mr. Masaru Katsumi and achievements

Details

Linked Information

Idea 183 1984 3
Idea 183, 1984-3. Cover design by Tadanori Yokoo
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.