Information

Cover Design: Bright & Associates
Editor in chief: Yoshihisa Ishihara
Editorial Director: Hisao Matsumoto
Publisher: Shigeo Ogawa
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake

Content includes:
Jan Lenica: Posters from JAGDA Show by Jan Lenica
American’s Greatest Women Illustration 1850-1950 by Carol Wald, Shinichiro Tora
The 1985 PDC Gold Award Competition by John S. Blyth, Charles Biondo, Shinichiro Tora, Takeo Yao
Michael Schwab: Its Light & Shade by Michael Schwab
Bright & Associates by Larry Klein
Presidential Design Award to AIGA/DOT Symbol Signs by Thomas H. Geismar, Imatake
Typography of Jan van Toorn by Shigeru Watano
Highest Quality with Understated Elegance – Graphic Design Services, The Morgan Bank by Imatake
Works of Mr. & Mrs. Kawalerowicz by Akiko Hyuga
Visual Circus Lesson 8 by Shigeo Fukuda
Dennis DiVincenzo: A Maker of Intelligent Beauty by Charles Goslin
Men – Those who Observe a Festival: Pictures of Yamaboko Floasts of Gion Festival Illustrated by Tomokazu Nishiwaki by Mutsuo Takahashi
Icograda Nice 85: Theme is Graphic Design in Everyday Life by Yusaku Kamekura, Susumu Sakane, Hiroshi Kojitani, Mitsuo Katsu
Book Review, Contemporary Designers by Imatake
Tokyo ADC Award ’85 by Hideo Mukai

Details

Linked Information

Idea 194, 1986-1. Cover design by Bright & Associates
Idea 194, 1986-1. Cover design by Bright & Associates
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.