Idea 198, 1986-9

Information

Cover Design: Toshifumi Kawahara, Pierre Lachapelle, Philippe Bergeron, Pierre Robidoux, Daniel Langlois
Editor in chief: Fumio Sudoh
Editorial Director: Yoshihisa Ishihara
Publisher: Shigeo Ogawa
Editorial Cooperation: Midori Imatake
Editorial Cooperation: Ohchi Design Office

Content includes:
Special Feature: Concepts in Holland by Hans Bockting, Will de I’Ecluse, Theo Groothuizen, Ton Haak, Floor Kamphorst, Hartmut Kowalke, Anne Stienstra, Marcel Vroom
Kathleen Bick’s Images with Light and Water by Kathleen Bick
Orte: Cover Designs and Layout by Ruedi Rüegg by Shigeru Watano
Special Feature: “Tony De Peltrie” Symbol of a New Era of Computer Animation by Toshifumi Kawahara
S. Fukuda’s “412 Illustticks” Exhibition by Shigeo Fukuda
Carlos Gallardo: A New Frontier of Design in Argentina” by Carlos Gallardo
Gerstman + Meyers Inc. by Takeo Yao
Paul Rand: A Designer’s Art by Minoru Niijima + Hiroshi Shoji
Richard Haas’s American Illusion by Shigeo Fukuda
Roberts Weaver: Emphasizes Importance of ID’s Social Resoponsibility
Form Follows Marketing Objectives, Primo Angeli Inc. by Primo Angeli
The Art Directors Club “Hall of Fame 1985” by Art Kane, Len Sirowitz, Charles Tudor, Aaron Burns, Shinichiro Tora
28th Annual Exhibition of the Society of Illustrators by Jill Bossert, Shinichiro Tora
Rpberts Weaver’s Design Input: Redesign for Goonhilly Down Operations Control Room
4th JAGDA Seminar ’86
39th Dentsu Advertising Award

Details

Linked Information

Idea 198 1986 9
Idea 198, 1986-9. Cover design by Toshifumi Kawahara, Pierre Lachapelle, Philippe Bergeron, Pierre Robidoux, Daniel Langlois
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Crouwel was the successor to Willem Sandberg who used an avant-garde approach in his work, utilising torn-paper montage, mixing of sans serif and old Egyptian typefaces and often off-center positioning. Crouwel steered away from this artistic approach and implemented a cohesive design system and a strong identity that emulated the corporate identity boom of the 1950s and 60s.
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Members Content

Advertisements from post-World War II Britain for British Aluminium Company. Designs by Abram Games, Tom Eckersley, FHK Henrion, Pat Keely, and James Hart, who collectively crafted over 100 four-color and 300 black-and-white advertisements.
I have been reproached for this, and I will surely be reproached again. I have also been reproached for reading more and more obscure works whose readership must be limited to a handful of specialists and a few hobbyists like myself. It’s a heavy passion or a passion that sucks.