Information

Cover Design: Toshifumi Kawahara, Pierre Lachapelle, Philippe Bergeron, Pierre Robidoux, Daniel Langlois
Editor in chief: Fumio Sudoh
Editorial Director: Yoshihisa Ishihara
Publisher: Shigeo Ogawa
Editorial Cooperation: Midori Imatake
Editorial Cooperation: Ohchi Design Office

Content includes:
Special Feature: Concepts in Holland by Hans Bockting, Will de I’Ecluse, Theo Groothuizen, Ton Haak, Floor Kamphorst, Hartmut Kowalke, Anne Stienstra, Marcel Vroom
Kathleen Bick’s Images with Light and Water by Kathleen Bick
Orte: Cover Designs and Layout by Ruedi Rüegg by Shigeru Watano
Special Feature: “Tony De Peltrie” Symbol of a New Era of Computer Animation by Toshifumi Kawahara
S. Fukuda’s “412 Illustticks” Exhibition by Shigeo Fukuda
Carlos Gallardo: A New Frontier of Design in Argentina” by Carlos Gallardo
Gerstman + Meyers Inc. by Takeo Yao
Paul Rand: A Designer’s Art by Minoru Niijima + Hiroshi Shoji
Richard Haas’s American Illusion by Shigeo Fukuda
Roberts Weaver: Emphasizes Importance of ID’s Social Resoponsibility
Form Follows Marketing Objectives, Primo Angeli Inc. by Primo Angeli
The Art Directors Club “Hall of Fame 1985” by Art Kane, Len Sirowitz, Charles Tudor, Aaron Burns, Shinichiro Tora
28th Annual Exhibition of the Society of Illustrators by Jill Bossert, Shinichiro Tora
Rpberts Weaver’s Design Input: Redesign for Goonhilly Down Operations Control Room
4th JAGDA Seminar ’86
39th Dentsu Advertising Award

Details

Linked Information

Idea 198 1986 9
Idea 198, 1986-9. Cover design by Toshifumi Kawahara, Pierre Lachapelle, Philippe Bergeron, Pierre Robidoux, Daniel Langlois
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Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.