Information

Cover Design: Shin Matsunaga
Editor in chief: Fumio Sudoh
Editorial Director: Ko Konishi
Publisher: Shigeo Ogawa
Editorial Cooperation: Midori Imatake
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Masuteru Aoba

Content includes:
International Consultant on CI, Henrion, Ludlow & Schmidt
Yarom Vardimon, A Talent Born to be an Innovative Designer by Ivan Chermayeff
Works of Louis Dorfsman by Ikko Tanaka
Alan Peckolick and His Elegantly, Designed and Executed Type Faces by Shin’ichiro Tora
Legacy of Stanislav Kovéř – His Clear-cut Style in Expression and Consistent Impression by Jan Rajlich
The Illustrations of Olivier Besson by Shigeru Watano
Javier Romero’s Illustration Gives Simple and Momemntary Impact
Kees de Bruijn; Creating Posters for a Small Town Community by Shigeru Watano
The Fourth International Poster Biennale – Moscow by Shigeo Fukuda
Stephen Antonakos’s Neon Arts by Shoichiro Higuchi
15th Anniversary Exhibition of CHUBU Creators by Shin’ichiro Tora
Bill Kinser’s Drawing
Special Feature: ’87 Graduation Works of Graphic Design Students
International Design Convention ’87
Visual Design Art of 71st NIKA Exhibition

Details

Linked Information

Idea 203, 1987-7. Cover design by Shin Matsunaga
Idea 203, 1987-7. Cover design by Shin Matsunaga
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.