Information

Cover Design: Shigeo Fukuda
©1987 Seibundo Shinkosha
Editor in chief: Fumio Sudoh
Editorial Director: Ko Konishi
Publisher: Shigeo Ogawa
Editorial Cooperation: Midori Imatake
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Masuteru Aoba

Content includes:
Paul Davis by Shigeo Fukuda
Illustrators 29th Annual Exhibition by Shin’ichiro Tora
Douglas Boyd Design and Marketing
Art for the Public, Poeters of the WPA by Chris DeNoon
Bookbinding as “Gesammtkunst” – Jiří Hadlač by Leopold Pospišil
The American Beauty Exhibition by Shin’ichiro Tora
Design a Individualistic Form – Lucille Tenazas by Gail Righelhaupt, Midori Imatake
Ikko Tanaka in New York by Lou Dorfsman
Commemorative Posters for World Design Expo ’89 by Kazumasa Nagai
Daniel Pelavin
DesignMarks Corporation – Consultants in Marketing Communication and Design
The ADC “Hall of Fame 1986” and “Art Director of the Year” by Shin’ichiro Tora
New Tendency of the Actual Italian Design – Sergio Calatroni and Luigi Searfini by Pierro Fornasetti
New York Exhibition of APA ’86 by Shin’ichiro Tora
Advertising Activities for Fujita Corporation by Katsuichi Ito and Zenji Funabashi by Katsumi Hara
Arthut Weyhe’s Large Outdoor Sculpture by Shoichiro Higuchi
The 54th Mainichi Advertising Design Award by Masuteru Aoba
Asahi Advertising Award 1986 by Makoto Nakamura
Ullrich Koch

Details

Linked Information

Idea 204, 1987-9. Cover design by Shigeo Fukuda
Idea 204, 1987-9. Cover design by Shigeo Fukuda
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More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.