Information

Cover Design: Ryohei Kojima
Editor in chief: Fumio Sudoh
Editorial Director: Ko Konishi
Publisher: Shigeo Ogawa
Editorial Cooperation: Midori Imatake
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Masuteru Aoba

Content includes:
The Soviet Revolutionary Poster: The Soviet Poster Avant-Garde by Jan Rajlich
Rick Eiber Interviewer: Sam A. Angeloff
Kang Yi, Illustrator by Mary Yeung
Joseph Ciardiello
Deborah Attoinese: Fashion Photographer
Gould & Associates Inc., Packaging, Product Design and Trademark
Suntory Art Poster by Junji Ito
David Quary: Lettering Graphic
Manuel Garcia
Editorial Design of K2 by Shuji Shimamoto
Charles Gibson – Young Graphic Designer in U.S.A.
Takenobu Igarashi’s Series of Sign by Susumu Kitahara
Jennifer Hewitson
Chuck Byrne
Urban Environment and Signs in Quebec and Montreal by Raymond Vézina, Jutaro Itoh
Formative Prospects in Computer Art by Shichiro Saguchi
Series 6: Art in New York Today, Mark Di Suvero, a Pioneer of Urban Jungle by Shoichiro Higuchi
Advertising Photography Nagoya in New York by Shin’ichiro Tora
Bidjan Assadipour by Fazlollah Rowhani

Details

Linked Information

Idea 207, 1988-3. Cover design by Ryohei Kojima
Idea 207, 1988-3. Cover design by Ryohei Kojima
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.