Information

Cover Design: Makoto Saito
Editor in chief: Fumio Sudoh
Editorial Director: Ko Konishi
Publisher: Shigeo Ogawa
Editorial Cooperation: Midori Imatake
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Masuteru Aoba

Content includes:
The 2nd International Triennial of Poster in Toyama 1988 by Judgement Review: Alan Fletcher, Ivan Chermayeff, Waldemar Sweizy and Ikko Tanaka
On the Occasion of the 2nd IPT by Masataka Ogawa
Denise Satter
Display Designer, Edgar Reinhard by Shigeru Watano
34th New York Tyoe Directors Club in Tokyo 1988 by Kenzo Nakagawa
Pierre Doyonnax by Shigeru Watano
Janusz Kapusta
William Douglas King’s Photography
Posters by Yukimasa Okumura by Sho Akiyama
Barbara Nessim
Cathy Doutreligne by Shigeru Watano
Tje Art of Persuation by Noriyoshi Sawamoto
Package Design Exhibition ’88 Jiyu Box by Koichi Nakai
The Trick by Shigeo Fukuda
Series 9-①②③ Art in New York Today, 9-①Arthur Cohen who Travels in Baroque Black Hole, 9-②Mon Levinson in Parallel World, 9-③DNA Spiral of Nassos Daphnis
Asahi Advertising Award 1987 by The Asahi Newspaper
NDC Graphics by Kazumasa Nagai
10th Japanese Typeface Contest “ISHII AWARD” Exhibition by Tadasu Fukano
Product Design by Igarashi Studio

Details

Linked Information

Idea 211, 1988-11. Cover design by Makoto Saito
Idea 211, 1988-11. Cover design by Makoto Saito
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.