Idea 213, 1989-3

Information

Cover Design: Cho Yong Jae
Editor in chief: Fumio Sudoh
Editorial Director: Ko Konishi
Publisher: Shigeo Ogawa
Editorial Cooperation: Midori Imatake
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Masuteru Aoba

Content includes:
XIII Biennale of Graphic Design Brno (Czechoslovakia) by Jiri Hlusicka
A series of the Teacher and His Students ②, Prof. Jan Lenica and His Seven Students, The Project Chosen for this series: “Self – Presentation”
Wolff Olins
Contemporary Indian Calligraphy
New Works by Tadanori Yokoo “Dragon Vessel” by Kazuo Fukuda
Computer Superstars
Ardeshir Mohassess and His Collection of Clowns by Sara Khalili
Rebecca Blake, Photographer by Jim Ferrante
Antique Fruit Crate Labels by Bungaku Ito
Takashi Kanome – His Radical Sense and Free Expressions by Yoshio Hayaawa
The Four Reactor Artists
BRS Watano by Laurence S. Sewell
Mel Hioki, Art director by Caroline Manalo
The Trick by Shigeo Fukuda
Series 11 – ①,②: Art in New York Today, ①Testimony of Wildness by Robert Stanley, ②Perspective from Betty Tompkins’ Paradise by Shoichiro Higuchi
’88 Art Festival, Yufuin by Koichi Nakai
Urban Forms by Alan Finkel by Shoichiro Higuchi
Yuji Baba: The World of “Kanji Game” by Shigeo Fukuda
Gaho Taniguchi’s Installation
Frank Horvat, Photographer

Details

Linked Information

Idea 213, 1989-3. Cover design by Cho Yong Jae
Idea 213, 1989-3. Cover design by Cho Yong Jae
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Members Content

As part of their marketing strategy, Kast + Ehinger, commissioned a selection of German designers to produce advertisements aimed at the design industry. I have scanned in quite a lot of their advertising matter, all of which were back-page advertisements from three German design magazines. Der Druckspiegel, Gebrauchsgraphik and Graphik – Werbung + Formgebung.

Members Content

Dick Elffers, had been the chosen designer for the printed matter of the Holland Festival for much of the festival's years, he used a painterly style for his work with the festival between 1954 and 1965 and later a more abstract style between 1969 and 1972. As well as publicity design, Elffers was commissioned to design the summer stamps to promote the Holland Festival in 1972.
A new interpretation of the work of Bramante, suggesting an agenda for contemporary architectural practice.
Last month (March 2022), I spoke to over fifty Graphic Design undergraduates about the archive and my passion for design history, after which the students had full access to items in the collection and participated in discourse amongst their peers and lecturers. As part of their critical studies unit, the students will be producing essays and content related to the impact, history and aesthetics of selected artefacts.