Information

Cover Design: Koichi Sato

Content includes:
The Polaroid Portfolio
Chuck Davidson Rebecca Segerstrom-Sato
Pierre Neumann Interview: Bernard Fibicher
Source/Inc. Takeo Yao
Masayoshi Nakajo Kazumasa Nagai
Works of Kijuro Yahagi – Design, Metalanguage in Formative Art Yukio Kondo
’88 Hall of Fame, Silas Rhodes, Ben Shahn, Mike Tesch, Bert Steinhauser Shinichiro Tora
Petr Otradovec and Zbynek Houska Jan Rajlich
Stuart I. Frolick
Pete Turner, Photographer Nick DeBord
Four Hong Kong Designers Exhibition
Coley Porter Bell – The Strategic Design Charlotte Borger
The Trick Shigeo Fukuda
Good Design is Good Business – Robert Jensen
Jaroslav Sura Jan Rajlich
Series 12: Art in New York Today, Boomerang Thrown by Tom Doyle Shoichiro Higuchi
The 2nd Kumamoto Design Award Takeo Yao
Kenji Kobayashi Akehiko Yamazaki
A New Current in Typography
A Proposal for New Design – Traditional Craftwork of Ogatsu Suzuri Takeo Yao

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Linked Information

Idea 214, 1989-5. Cover design by Koichi Sato
Idea 214, 1989-5. Cover design by Koichi Sato
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.