Information

Content includes:
The World Masters 22: Mitsuo Katsui Ikko Narahara
Simplicity and Serenity: A Rising Minneapolis Designer, Bill Thorburn Keizo Matsui
“On Connait La Musique” (We know music)
Tadanori Yokoo & Mark Kostabi Collaboration Tsuyoshi Kanazawa
“Eight Graphic Designers from Hong Kong” Exhibition Ikko Tanaka
Painting an Imaginative World, Etienne Delessert
International Design Congress, Glasgow 1993, Posters for “Design Renaissance” Shigeo Fukuda
The Lahti X Poster Biennial Ulla Aartomaa
Illusionary Metamorphoses, Mihail Chemiakin Koichiro Inagaki
Design Work by Contemporary Production Masayuki Kawakatsu
Wide-ranging Style and Technique, James G. Thorpe Joseph P. Ansell
Seeking Immortality in Beauty, Keiko Hirano
Berlin Design Office Design pur Shigeru Watano / Yachiyo Matsuzaki
The 6th International Design Festival, Osaka
Russian Avant-garde Photography by Alexander Rodtchenko
Package Design by Taku Sato
The Contemporary Art Scene, Poetic Imagery, Lynn Umlauf Shoichiro Higuchi
Book Review, News & Information, Exhibitions, Addresses of Contributors

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Idea 242, 1994
Idea 242, 1994. Cover design by Mitsuo Katsui
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Kinetic art refers to art the depends on movement for its desired effect and is closely related to op art. Upon scanning a few of the inner inserts from the Kinetics exhibition catalogue from the Hayward Gallery, London, 1970, I came across these five small manifestos on kinetic art.
The book "Modern Man In The Making" (1939), is a fantastic example of Neurath's work. The book uses Isotype's principles with text to illustrate complex societal issues like globalisation and war's impact on economies, prioritising visual recognition through symbols to aid in memorability—a philosophy that remains paramount in design today.
A country is never dead so long as it has an art. Austria is a proof of this maxim. Its liveliness since the war is liveliness which has displayed itself in the arts to a remarkable extent : it deserves the world's admiration and respect.

Members Content

The advertising has a certain contrast of hand-drawn and mechanical. Produced entirely in black, it reminds us that the absence of colour can be highly effective. Hans Michel and Günther Kieser's illustrations bring a sense of both playfulness and a stylistic approach to a corporate client.