Information

Content includes:
Graphic Arts
Development of a house style and L. Sutnar by N. Gosta Arnheim
Yusaku Kamekura
Father and Son: Erik & Ole Stockmarr
Royal College of Art
Paul Peter Piech
Bob Gill
Commercial arts of Nika-Kai
Color Pages
Yusaku Kamekura
Paul Peter Piech
Bob Gill
Nika-Kai
Editorials
Brief History of Fine Arts in Japan by A. Yamana
Imitation and resemblance by S. Imatake
How to keep TV commercial in tune with your badget by Ralph G. Tuchman
How to make ad photo more believable by Stephen Baker
Advertising anecdote by Frank Finny
Adman’s guide to p.r. by Charles H. Prout
Book reviews
Editor’s note by T. Miyayama

Details

Linked Information

Idea 26, 1957-12. Cover design by Shichiro Imatake
Idea 26, 1957-12. Cover design by Shichiro Imatake
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.