Join the Mailing List

Membership

Collected Graphic Design History from Design Reviewed

Idea 279, 2000-3

Information

Special Feature: GRAPH -36pages original design works and layout by GRAPH, INTRO -London, M/M “XN:00” A Film Poster Workshop, Kei Matsushuta, North, Masayoshi Nakajo, Yukari Miyagi, Serials: Kyoichi Tsuzuki -When Pig Design, Tadanori Yokoo -Source Vision of Design, Shinro Ohtake Serial Bound-in Posters-Part 7: and more.

Details

  • Format: Magazine
  • Designer/s: GRAPH
  • Year: 2000
  • Client/Publisher: Seibundo Shinkosha Publishing Co

Linked Information

Idea 279, 2000-3. Cover design by GRAPH
Idea 279, 2000-3. Cover design by GRAPH
More graphic design artefacts
Josef Albers: Ausstellung zum 100. Geburtstag, Ulmer Museum, 1988
From the design archive:

Josef Albers: Ausstellung zum 100. Geburtstag, Ulmer Museum, 1988

  • Format: Exhibition Catalogue
  • Year: 1988
View Artefact
27th Edinburgh International Festival Programme, 1973. Designed by Hans Schleger/Zero and Associates.
From the design archive:

27th Edinburgh International Festival Programme, 1973

  • Format: Programme
  • Designer/s: Hans Schleger/Zero
  • Year: 1973
View Artefact
visuell tractat, 1962 designed by Herbert W. Kapitzki
From the design archive:

visuell tractat, 1962

  • Format: Book/Catalogue
  • Designer/s: Herbert W. Kapitzki
  • Year: 1962
View Artefact
Burton Kramer Identities, Greg Durrell, 2011
From the design archive:

Burton Kramer Identities, Greg Durrell, 2011

  • Format: Book
  • Designer/s: Burton Kramer
  • Year: 2011
View Artefact

view more of the graphic design archive

More graphic design history articles

Members Content

Banco do Estado de São Paulo Logo designed by Aloísio Magalhães, 1969
  • Design Archive Feature, Members Only Content

The Logos and Symbols of Brazilian Designer, Aloísio Magalhães

Magalhães developed over 180 brands and in addition to developing visual identities, he also developed designs for Brazilian notes and coins.
Read Article

Members Content

Advertisements for Radio Italiano designed by Erberto Carboni Scanned from Publimondial 29, 1950
  • Design Archive Feature, Members Only Content

Erberto Carboni and his work for Radio Italiana, 1940s and 1950s

These one-colour forms have a playful but structured aesthetic through their geometric forms, they remind me of the abstract line drawings of Picasso blended with Jan Tschichold and the New Typography.
Read Article
Typographical Poster for an Exhibition of Present Day Photography by Walter Dexel
  • Design Archive Feature

New Paths in Poster Work, 1931 by Jan Tschichold

In minor printed matter we constantly meet the new typography, but it is relatively rare to find posters designed on the new lines. And yet poster-designing is a field where new typographical methods might be employed with great effect.
Read Article

Members Content

Unimark International and the visual identity of South-African manufacturer, DEFY.
  • Design Archive Feature, Members Only Content

Unimark International and the visual identity of South-African manufacturer, DEFY.

The identity manual consisted of 130 pages of information and brand usage with Arie J. Geurts heading up the project as design director, (who later headed up his own design studio in Los Angeles). The identity uses minimal colour and focuses on a consistent brand blue in all communications.
Read Article