Idea 314, 2006-1

Information

Content includes:
Special feature: A Graphic History of Emigre magazine 1984-2005
Penguin books Design of Great Ideas
design manierism vol.3 “Mirable visu” by Hiroshi Takayama
When Pigs Design Vol.33 by Kyoichi Tsuzuki “How cool not to be cool is–Great airbrush painters Part.2”
Typography Review vol.12 “The Node of Modern Visual Language” Text by Yusaku Terayama, Supervision by Jiro Katashio
Shinro Ohtake Original Serial Poster [2nd impact] Part 16 Side A(inside): Uchumisaki II Side B:(outside): Exposure IV

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Idea 314, 2006-1
Idea 314, 2006-1
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Giovanni began his work with Olivetti in March 1938, and his work was showcased in various exhibitions and had a clear distinctive style that amplified the Olivetti brand image. His design defined the company’s visual image, and the iconic geometric designs are still as powerful and engaging today as they were in the 1950s.
Why Graphic Culture Matters is a compilation of 46 thought-provoking essays by renowned design critic Rick Poynor, delving into the realms of art, design, and visual communication.

Members Content

Theo Crosby was born in South Africa in 1925 and moved to Britain in the late 1940s. He was a highly skilled designer, architect and sculptor. He became the technical editor of Architectural Design magazine in 1953 and remained in the post for almost a decade. The large format magazines feature an array of content including information on buildings, materials and architectural plans.

Members Content

One of my standout collected pieces is Erberto Carboni’s Crociere 1937 “Italia” Brochure, created for the Societa di Navigazione’s 1937 cruise schedule.