Idea 316, 2006-05

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Special Feature: The Conditions of Graphic Design 2×4, 3 Deep Design, A Practice for Everyday Life, Åbäke & Daniel Eatock, Adrian Shaughnessy, Alon Levin, &&&, Andrew Blauvelt, Angela Lorenz, Anna Gerber, Anne Burdick, Base, Bibliothèque, Bluesource, Brighten the Corners, Browns, Build, Cartlidge Levene, Catalogtree, Christos Lialios, COMA, Cornel Windlin, Coup, Cyan, Default, Design Machine, The Designers Republic, Dmitri Siegel, Elektrosmog, EricandMarie, Event10, Experimental Jetset, Fabio Ongarato, Fons Hickmann, Fraser Muggeridge, Fuel, Giampietro+Smith, Goodwill, Graphic Thought Facility, Hanna Werning, Hyperkit, Ingo Offermanns, Jonathan Barnbrook, Jop van Bennekom, Julia Born, Julie Joliat, Juliette Cezzar, Kasia Korczak, Kerr|Noble, Laurent Fétis, Leonardo Sonnoli, Lust, M/M Paris, MadeThought, Manuel Raeder, Manuela Porceddu & Derk Reneman, Marc Atlan, Maureen Mooren & Daniël van der Velden, Mevis en Van Deursen, Morality of Objects, Muriel Paris et Alex Singer, Nick Bell, Non-Format, Norm, North, Onlab, O-R-G, Paul Elliman, Paul Sahre, Peter Bilak, Philippe Apeloig, Practise, Project Projects, RBG 6, Ruedi Baur, Rumbero Design, Sara de Bondt, Spin, Ständige Vertretung, Stefan Sagmeister, Stiletto, Struktur Design, Stuart Bailey, Will Stuart, Studio FM milano, Studio Thomson, Suburbia, Sulki & Min Choi, Surface, Tania Prill & Alberto Vieceli, Thomas Buxó, Toffe, Toko, Tom Hingston, Tomato, Universal Everything, Vier5, Why Not Associates, WinterhouseDesigners’ Workshop / Designers’ Profile / A DEBATE Anna Gerber and Anja Lutz / News + Information / Shinro Ohtake Original Serial Poster [2nd impact] Part 18 Side A(inside): Zen-Kei II Side B:(outside): Zen-Kei III

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Idea 316, 2006-05
Idea 316, 2006-05
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The graphic designer had to create a series of ads whose new publicity effects were to confirm or accentuate the already existing • image • of the paper. In this case, the planning was not based on a would-be psychological analysis of the reading public.
A short free-to-access feature on Swiss Design. The movement was influenced by Bauhaus and De Stijl, sought clarity and visual unity, making it a powerful force in global graphic design that remains influential today.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.

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Industrial design was an American design magazine featuring furniture, ceramics, housewares, appliances, automobiles, buildings, radios, projectors, televisions, and many other objects designed for the postwar middle class. First published in the 1950s by Charles Whitney with Alvin Lustig as art director.