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Graphic Design History from Design Reviewed

Idea 320, 2007-1

Information

Content includes:
Special feature: Medium-Specific – things and thoughts on printed matter Nobuhiro Yamaguchi, Kazuya Kondo, Daishiro Mori, Hideki Nakajima
Nouvelle Vague ‘Bande a part’ Artwork Revisited Dylan Kendle & Julie Verhoeven
Designers and the political – An interview with Daniel van der Velden
“Zine Library” No.12 gallery and Nieves Books presents: Taro Hirano and Benjamin Sommerhalder
design mannerism vol.7 “Typus Typographicum” Text by Hiroshi Takayama
On Hand Lettering vol.5 Chapter II “Fascination of letters – hand lettering for cinema advertising ” Part 2 Koga Hirano, Naomichi Kawahata and Osamu Torinoumi

Details

  • Format: Magazine
  • Year: 2007
  • Client/Publisher: Seibundo Shinkosha Publishing Co
  • Size: 226mm x 297mm

Linked Information

Idea 320, 2007-1
Idea 320, 2007-1
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Grafisch geluk / steendrukkerij de Jong & Co 1911-1994, vrijplaats voor ontwerpers, Lecturis, 2012
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Grafisch geluk / steendrukkerij de Jong & Co 1911-1994, vrijplaats voor ontwerpers, Lecturis, 2012

  • Format: Exhibition catalogue
  • Year: 2012
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Nul negentienhonderd vijf en zestig, Stedelijk Museum, Amsterdam, 1965 designed by Wim Crouwel
From the design archive:

Nul negentienhonderd vijf en zestig, Stedelijk Museum, Amsterdam, 1965

  • Format: Exhibition Catalogue
  • Designer/s: Wim Crouwel (Total Design)
  • Year: 1965
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Sandberg 'désigne' le stedelijk 1945-63, Paris : Musée des arts décoratifs, 1973
From the design archive:

Sandberg ‘désigne’ le stedelijk 1945-63, Paris : Musée des arts décoratifs, 1973

  • Format: Book
  • Year: 1973
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Typographic, 18, April 1982
From the design archive:

Typographic, 18, April 1982

  • Format: Magazine
  • Year: 1982
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Japanese Ephemera from the 1920/30s
  • Design Archive Feature, Ephemera, Illustrated Matchboxes, Members Only Content

A Collection of Japanese Ephemera from the 1920s and 30s

Collected Japanese ephemera From the late 1920s to the mid-1930s, from Japan's transformative period, with its robust industrial force accompanied by an increase in consumer culture.
Rudolph de Harak - Rational-Simplicity
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Rational Simplicity, the first major monograph of Rudolph de Harak by Richard Poulin

"Rudy is one of the unsung pioneers of American mid-century modernist graphic design. He had a unique and definitive point of view that was really never celebrated. This may have been attributed to his strict adherence to the formal principles of modernism and the International Typographic Style."
Hans Adolf Albitz und Ruth Albitz-Geiß, Subway boardings (3,80 × 2,50 m).
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Hans Adolf Albitz and Ruth Albitz-Geiß by Franz Hermann Wills, 1952

Among the young graphic artists of Berlin, who set to work after the war, Hans Adolf Albitz and Ruth Albitz-Geiß can claim special attention. In a short time, at a period when economic conditions were pretty unfavourable, they worked themselves so to the fore that their names came to mean something in Berlin publicity, and in western Germany their posters are known and appreciated, too.
DOT Volume 3 Swissair
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Direction of Travel, an inspirational newspaper by Christian Nolle

Direction of Travel is a project by Christian Nolle, a half Danish/half German London based artist and map collector. He has spent decades creating work, often in photographic form, that looks at the interplay between aviation, politics and the cities we live in. Christian is also the Founder and Head of Good Caesar, a design and technology studio.