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Special Feature: In the Design Field, Today
Thought and Practice of Branding Design around the World
Direction by Idea | Design by LABORATORIES (Kensaku Kato, Megumi Moriya)
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Kokoro & Moi
CEKAI Variable Association and Expanding Creation – Interview by Soichi Takahashi
The New Era of Design by Paul Bennett (IDEO)
STUDIO NA.EO
eyen design
Seachange
Bureau Borsche
Creative Intermediaries: Inside the in-between by Nicholas Bell (AUFI)
CRITIQUE & CONTEXT. Vol. 3 What do we assess in critique? Text & Design by Ian Lynam
MIRRORS Vol. 4 Independent Practice by Tetsuya Goto. Design by Sulki & Min
The 389th ginza graphic gallery exhibition Yui Takada with ori.studio CHAOTIC ORDER Collaboration Based on Trust. Round table talk:Yui Takada ×ori.studio×Takeshi Nishio
Interview by Idea Interpretation by Kotoko Koya Design by ori.studio
The History of Yasuhito Nagahara. Text & Design by Toshinobu Nagata
Creating a Space for Typography. TDC’s Transformation and Expansion into the Asia Region. Interview with Ksenya Samarskaya by Min-Young Kim. Design by Kazuhiro Yamada (nipponia)

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Idea 399, 2022-9/10
Idea 399, 2022-9/10
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Volkswagen commissioned a fantastic range of graphic designers, including Wolf Zimmermann, Hans Looser and Michael Engelmann. The designers amplified the brand image of Volkswagen with strikingly modern designs.

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Max Huber worked across advertising, packaging, design and industrial design. He had a distinctive style that skillfully blended bright hues with photomontage.

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Theo Crosby was born in South Africa in 1925 and moved to Britain in the late 1940s. He was a highly skilled designer, architect and sculptor. He became the technical editor of Architectural Design magazine in 1953 and remained in the post for almost a decade. The large format magazines feature an array of content including information on buildings, materials and architectural plans.

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A selection of poster designs from Die besten Plakate des Jahres 1958 with a translated foreword by Maria Netter. Featuring the work of Müller-Brockmann, Celestino Piatti, Donald Brun and Armin Hofmann.