Special Feature: In the Design Field, Today
Thought and Practice of Branding Design around the World
Direction by Idea | Design by LABORATORIES (Kensaku Kato, Megumi Moriya)
Fisk
Kokoro & Moi
CEKAI Variable Association and Expanding Creation – Interview by Soichi Takahashi
The New Era of Design by Paul Bennett (IDEO)
STUDIO NA.EO
eyen design
Seachange
Bureau Borsche
Creative Intermediaries: Inside the in-between by Nicholas Bell (AUFI)
CRITIQUE & CONTEXT. Vol. 3 What do we assess in critique? Text & Design by Ian Lynam
MIRRORS Vol. 4 Independent Practice by Tetsuya Goto. Design by Sulki & Min
The 389th ginza graphic gallery exhibition Yui Takada with ori.studio CHAOTIC ORDER Collaboration Based on Trust. Round table talk:Yui Takada ×ori.studio×Takeshi Nishio
Interview by Idea Interpretation by Kotoko Koya Design by ori.studio
The History of Yasuhito Nagahara. Text & Design by Toshinobu Nagata
Creating a Space for Typography. TDC’s Transformation and Expansion into the Asia Region. Interview with Ksenya Samarskaya by Min-Young Kim. Design by Kazuhiro Yamada (nipponia)
Advertising Design, Design Archive Feature, Members Only Content, Regional Histories
This article is part of my ongoing effort to spotlight the unsung heroes of design history. I'm especially passionate about sharing voices and designs that have been overlooked or forgotten. In this piece, I focus on the work of 1980s American graphic designers, in particular, the women who broke boundaries and shaped American visual culture.
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Corporate Identity & Branding, Design Archive Feature, Members Only Content, Typography & Type Design
Working alongside André Gürtler and Bruno Pfäffli, Adrian Frutiger designed many logo designs. Here is a selection of the designs which were featured in Der Druckspiegel, December 1961. I have also translated and rewritten the descriptions to provide more depth.
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Advertising Design, Design Archive Feature, Designer Profiles, Members Only Content
A 1925 article on Karl Schulpig, originally in German and published in Archiv für Buchgewerbe und Gebrauchsgraphik, March 1925.
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