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Special Feature: In the Design Field, Today
Thought and Practice of Branding Design around the World
Direction by Idea | Design by LABORATORIES (Kensaku Kato, Megumi Moriya)
Fisk
Kokoro & Moi
CEKAI Variable Association and Expanding Creation – Interview by Soichi Takahashi
The New Era of Design by Paul Bennett (IDEO)
STUDIO NA.EO
eyen design
Seachange
Bureau Borsche
Creative Intermediaries: Inside the in-between by Nicholas Bell (AUFI)
CRITIQUE & CONTEXT. Vol. 3 What do we assess in critique? Text & Design by Ian Lynam
MIRRORS Vol. 4 Independent Practice by Tetsuya Goto. Design by Sulki & Min
The 389th ginza graphic gallery exhibition Yui Takada with ori.studio CHAOTIC ORDER Collaboration Based on Trust. Round table talk:Yui Takada ×ori.studio×Takeshi Nishio
Interview by Idea Interpretation by Kotoko Koya Design by ori.studio
The History of Yasuhito Nagahara. Text & Design by Toshinobu Nagata
Creating a Space for Typography. TDC’s Transformation and Expansion into the Asia Region. Interview with Ksenya Samarskaya by Min-Young Kim. Design by Kazuhiro Yamada (nipponia)

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Idea 399, 2022-9/10
Idea 399, 2022-9/10
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Giovanni began his work with Olivetti in March 1938, and his work was showcased in various exhibitions and had a clear distinctive style that amplified the Olivetti brand image. His design defined the company’s visual image, and the iconic geometric designs are still as powerful and engaging today as they were in the 1950s.

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I have a real passion for collecting Cinderella stamps and other ephemera and love the artistic and historical value of these items. The scarcity of some Cinderella stamps, especially those associated with significant historical events or rare advertising campaigns, makes them highly sought after in the philatelic world.

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The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.

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Stephan Kantscheff (Stephan Kanschev) was a Bulgarian artist born in Kaefer, Todental. His colourful palette and joyous, folk-esque illustrations won him many commissions and his work was celebrated for both its quality and social significance.