Information

Content includes:
Graphic Arts
Visual Communications in Canada
Foreword by Arnold Rockman
Paul Arthur, Ted Bethune, Jack Birdsall, Hans Kleefeld, Graham Coughtry, Louis de Niverville, Theo Dimson, Allan Fleming, Eugenie Groh, James Hill, Frank Lipari, Arnaud Maggs, Allan Mardon, Frank Newfeld, Leo Rampen, Ernst Roch
World Design Conference Thumbnail sketches of visiting designers

Color Reproductions
Works of Canadian graphic designers
Allan Fleming
Ernst Roch

Editorial
“Nouvelle Vague” in layout by S. Imatake
What’s meant by Good Design? by T. Uemura
Visit to British Industrial Design Center by I. Hasegawa
An artist in the age of marketing by Printer’s Ink
Challenge to packaging in the 60’s by Modern Packaging
Editor’s note

Details

Linked Information

Idea 41, 1960-6. Cover design by Erick Buchergger
Idea 41, 1960-6. Cover design by Erick Buchergger
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.