Content includes:
Graphic Arts
Visual Communications in Canada
Foreword by Arnold Rockman
Paul Arthur, Ted Bethune, Jack Birdsall, Hans Kleefeld, Graham Coughtry, Louis de Niverville, Theo Dimson, Allan Fleming, Eugenie Groh, James Hill, Frank Lipari, Arnaud Maggs, Allan Mardon, Frank Newfeld, Leo Rampen, Ernst Roch
World Design Conference Thumbnail sketches of visiting designers
Color Reproductions
Works of Canadian graphic designers
Allan Fleming
Ernst Roch
Editorial
“Nouvelle Vague” in layout by S. Imatake
What’s meant by Good Design? by T. Uemura
Visit to British Industrial Design Center by I. Hasegawa
An artist in the age of marketing by Printer’s Ink
Challenge to packaging in the 60’s by Modern Packaging
Editor’s note
From the graphic design archive:
Design Archive Feature, Members Only Content, Poster Design, Regional Histories
The best poster designs from Die besten Plakate des Jahres 1956 with a translated foreword by Jakob Rudolf Welti. Featuring the work of Herbert Leupin, Carl B. Graf, Carlo Vivarelli and Emil Ruder.
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Marin Lorenz has had an amazing career, designing for clients such as ESPN and Nike, teaching at some of Europe's leading design schools and publishing books, such as Flexible Visual Sytems, documenting his research and approach to design practice.
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Design Archive Feature, Members Only Content, Poster Design, Regional Histories, Studios & Collectives
A total of 24 posters were created for the campaign during 1964, using the arrow symbol as a key features, representing power, motion and speed. The handmade lithographs use up to 19 colours, which were individually printed at large scale. The posters also utilise the brand colours red and yellow from Shells corporate identity.
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