Content includes:
A Generation of Graphic Art
1935 Georg Salter, Raymond Lufkin
1936 Lynd Ward, Bruce Rogers
1936 Gustav Jensen, Samuel Bernard Schaeffer
1936-37 Lester Beall, Lucian Bernhard
1937 E. McKnight Kauffer
1937 Clarence P. Hopkins
1937 Laszlo Matulay, William Edwin Rudge
1938 Bauhaus, Herbert Bayer
1938 Joseph Binder, Hans J. Barschel
1939-40 Gyorgy Kepes, Howard W. Willard
1940 G. Giusti, Jean Carlu
1940-41 Paul Rand, Hans Moller
1941-42 George Krikorian, Lester Beall
1941 Will Burtin
1941 Alex Steinweiss
1942-47 Advance guard of advertising artists, Four veterans Alex Steinweiss
1947 Paul Rand, Ladislav Sutnar
1948-49 Ben Rose, Alvin Lustig, Will Burtin
1950,59 Morton Goldsholl, Brownjohn, Chermayeff & Geismar
1960 Brownjohn, Chermayeff & Geismar / Lester Beall / Gene Federico / McCall’s Magazine
1949-66 Hal Zamboni, Irving Miller, CBS, Peter Hirsch, The Push Pin Studios, Aaron Burns
1960-61 Lester Rossin Creative Group Inc., Milanese Graphic Designers, Parisian Graphic Designers, New York Times, Sudler & Hennessey, Canadian Broadcasting Corporation, Art Kane
1962-65 Gyorgy Kepes, Fortune Magazine, John Massey, Time Magazine, NBC Television
1966 CBS Television, Carl Ally, Inc.
1965-66 Geigy Chemical Corporation, Metromedia Inc., Ward & Saks
Illustrator Lunn Sweat
Illustrator Murray Tinkelman
Hemis Fair ’68
Danger states for art director by Henry Wolf
Corporate Identity & Branding, Design Archive Feature, Members Only Content, Regional Histories
KLM's brand evolution by Henrion Design Associates. Founded in 1919, KLM is the world's oldest operating airline. In 1961, Henrion Design Associates redesigned the iconic brand, overcoming challenges of standardisation and outdated aesthetics.
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Ephemera, Members Only Content, Regional Histories
Collected examples of the Royal Society for the Prevention of Accidents (RoSPA) Cycling Safety and Proficiency design output, a landmark initiative aimed at enhancing cycling safety.
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Design Archive Feature, Illustration, Members Only Content, Studios & Collectives
After researching further into the work designed by their practice, I found ten programmes designed between 1958 and 1960. These programmes were designed for a variety of live jazz events in Germany and all followed the same format.
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