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Graphic Design History from Design Reviewed

Idea 094, 1969-5

Information

Content includes:
George Tscherny and His Works
Alain Pontecorvo
The Mead Library of Ideas and the Mobile Corporate Identity Exhibit
Simmons’ Beautyrest Campaign by Y & R by Tadahisa Nishio
Collage, Ryuichi Yamashiro Art Exhibition by Yusuke Kaji
Greeting Card & Calender ’69
’68 Tokyo Commercial Artist’s Association Design Show
Akira Uno’s Baroque Taste by Yusaku Kamekura
Exhibition of Yoshitaro Isaka

Details

  • Format: Magazine
  • Designer/s: Akira Uno
  • Year: 1969
  • Client/Publisher: Seibundo Shinkosha Publishing Co

Linked Information

Idea 94, 1969-5. Cover design by Akira Uno
Idea 94, 1969-5. Cover design by Akira Uno
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Graphis 37, 1951. Cover design by Frederick Henri Kay Henrion
From the design archive:

Graphis 37, 1951

  • Format: Magazine
  • Designer/s: Frederick Henri Kay Henrion
  • Year: 1951
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Gebrauchsgraphik, 7, 1971. Cover design by Kroehl Offenburg
From the design archive:

Gebrauchsgraphik, 7, 1971

  • Format: Magazine
  • Designer/s: Kroehl Offenburg
  • Year: 1971
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Idea 310, 2005-5. Cover design by Yoshihisa Shirai
From the design archive:

Idea 310, 2005-5

  • Format: Magazine
  • Designer/s: Yoshihisa Shirai
  • Year: 2005
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Der Druckspiegel, 01, January 1967. Designed by Dieter Kani
From the design archive:

Der Druckspiegel, 01, January 1967

  • Format: Magazine
  • Designer/s: Dieter Kani
  • Year: 1967
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Members Content

What has been said about the styling of advertisements goes for the field of publicity for chemical and pharmaceutical products as well. Whether it is a soporific, an analgetic or a protein remedy for defects of malnutrition - nearly without a single word, the efficiency of the product in question is symbolically characterized in the composition and the choice of colours equally to the point, on the covers of these prospectuses. Suppositions for such achievements are the highest level and a freedom of artistic means which our businessmen, when employing commercial artists, are only too seldom ready to grant. Designs Matthew Leibowitz
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Advertising Pharmaceuticals, A Comparison of German and American Advertising in 1950

As a chemist, I have an obligation to be curious – I grab a stack of our chemical journals and start with the advertising section. I start it, the walk through the sand. I don’t want to deny some oases. But soon I’m bored and tired.

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9 jaar Stedelijk Museum Amsterdam, 1945-54 designed by Willem Sandberg
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Willem Sandberg – Life and Legacy

This 1,500 word essay is about the life and work of Willem Sandberg and is illustrated with part of my collection of over 100 pieces of Sandberg’s work, including books, Stedelijk Museum catalogues, and various individual printed items.
Glorious Devon, S.P.B. Mais, Great Western Railway Company, 1934. Cover design by Edward McKnight Kauffer
  • Design Archive Feature

The E. McKnight Kauffer 1955 Exhibition at the Victoria and Albert Museum by F.H.K Henrion

A review of the memorial exhibition of Edward McKnight Kauffer at the Victoria and Albert Museum in 1955 by F.H.K. Hernion

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Advertisements for Bol spirits designed by Atelier Engelmann and Klaus Oberer in late 50s : early 60s Cover
  • Design Archive Feature, Members Only Content

Bols. Advertising Matter from 1958 to 1961 by Engelmann, Mendell and Oberer

In the late 1950s, Hans W. Brose agency, with designers Pierre Mendell, Michael Engelmann, and Klaus Oberer, crafted a compelling, colourless campaign for Bols.