
‘Cushing is a typeface with many roots, but, despite its honorable ancestry, it remained until now, a small and confused family. It was designed in 1897 by J. Stearns Cushing for American Type Founders Company and was called Cushing No. 2. An italic was developed for ATF by Frederic W. Goudy in 1904. These early ATF typefaces became known as Lining Cushing Oldstyle No. 2 and Italic. ATF also brought out a Lining Cushing No. 2 and Italic, Cushing Antique, and Lining Cushing Monotone 553.’

Design Archive Feature, Members Only Content, Regional Histories, Studios & Collectives
In my previous article about the design work produced for Insituto di Tella, I touched upon the artists Juan Carlos Distéfano, Ruben Fontana and Juan Andralis. After further research, I found a suite of other designs they had produced, including exhibition posters, concert programmes and record sleeves.
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Design Archive Feature, Magazines & Publishing, Members Only Content, Movements
Victorian Graphic Design left a mark on both British and American design history. In Britain, the ornate embellishments served as a symbol of prosperity and cultural values. Meanwhile, America embraced the combination of various design elements to navigate the complexities of a rapidly changing society driven by industrialisation and consumerism.
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Design Archive Feature, Designer Profiles, Magazines & Publishing, Members Only Content, Regional Histories
Oldřich Hlavsa worked primarily in publication design and typography and played a major part in Czech graphic design history. He designed over 2000 book covers and published a series of his own books related to typography.
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