Linea grafica, 03, May/June, 1970

Information

Contents includes:
Luisa Jamoretti: Publishing and graphic arts in the panorama of the Fair
Franco Solmi: The Esso Style
Salvatore Maugeri: Italian graphics from ’45 to today: from neo-expressionism to no figuration
Grignani/Mataloni: Advertising space as a physiognomic quantity
F. S.: Sign and symbol in the coordinated image
Georges Martina: The Belle Epoque of color lithography
G.M.: The boy and the imagination
G.: Jan Rajlich, painter, engraver and advertiser
Gillo Dorfles: Personal exhibition of Fausto Cappellato
Minotaur: «Exploration of comics: supermanism and the will to power
Macrophotographs of S. & F. Cappellato
Lara Vinca Masini: Lucio Fontana exhibition in Turin and Beppe Bongi retrospective in Florence
Marco Beltramo Ceppi: Compasso d’oro 1970
Fabio Mataloni: Eurodomus 3
G.M.: The Arts in Paris
Georges Martina: At the Museum of Decorative Arts in Paris, the American Push Pin Style
Umberto Fenocchio: The Values ​​of Divisionism Rediscovered in the Exhibition at the Permanente
Werner Grogg: The Importance of Professional Training in the Graphic Arts
Gottfried Dryssen: Printing of Newspapers and Magazines with Rotary Machines
N.O.: The Future of Coated Paper

Details

Linked Information

Linea grafica, 03, May-June, 1970
Linea grafica, 03, May-June, 1970
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
The Cuban film poster conveys the spirit and ideals of the Cuban revolution. A time of political change, an uprising that ended the brutal dictatorship of Fulgencio Batista. The Danish Film Institute have a collection of Cuban Film Posters from the past 50 years.

Members Content

Walter Ballmer was a Swiss graphic designer born in Liestal, Switzerland in 1923. He worked across various design disciplines including advertising design, packaging, typography and exhibition design.

Members Content

Before ascending to fame within the contemporary art scene, Warhol enjoyed a thriving career as a commercial artist. His illustration work was commissioned by various magazines, including The New Yorker, Vogue, and Harper's Bazaar.
The stories of Norwich’s medieval merchants’ marks is being told in a new book and exhibition.