Media Information Vol. 2, No. 1, Issue 4, January 1981

Information

Content includes:
Solid State of Love / Matsuda Yukimasa
German Report / Leonore WILZIEN
ONE SHOT FROM THE FILM 1980 TOKYO ON⇔OFF / Matsuoka Keikichi, Toda Tsutomu
illustration / Watanabe Susumu
1981 CALENDAR
BOOK WATCHING “THE CIRCUS IN THE MIST” / Shino Tetsuo
MEDIA REPORT “YLEM” / Toda Tsutomu
CINEMA CRITICISM “Earth Defense Force” / Yukimasa Matsuda
INTERIOR LANDSCAPING “GRAIN” / Harumi Tsuda
MEDIA AND DESIGN “GENERAL STRIKE” / Tsutomu Toda
Natural History “Knot” / Sotaro Shiraishi

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Media Information Vol. 2, No. 1, Issue 4, January 1981
Media Information Vol. 2, No. 1, Issue 4, January 1981
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
When Fritz Gottschalk and Stuart Ash joined forces in Montreal, it was a partnership ideally suited to the city's hybrid environment. Gottschalk's training in graphic design in Switzerland, Paris and London was rigid, his background European; Ash, Canadian born and educated, was trained in the North American fashion, though he was influenced by his work with European designers
The book "Modern Man In The Making" (1939), is a fantastic example of Neurath's work. The book uses Isotype's principles with text to illustrate complex societal issues like globalisation and war's impact on economies, prioritising visual recognition through symbols to aid in memorability—a philosophy that remains paramount in design today.
House style can give identity to the diverse products or activities of a firm. It stimulates loyalty, helps to reduce costs, and has advertising value.

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Giovanni began his work with Olivetti in March 1938, and his work was showcased in various exhibitions and had a clear distinctive style that amplified the Olivetti brand image. His design defined the company’s visual image, and the iconic geometric designs are still as powerful and engaging today as they were in the 1950s.