Modes of Criticism 3 – Design and Democracy, Onomatopee, 2017

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Contents
Style? Strategy! On Communication Design as Meaning Production, Els Kuijpers
Continuous Rebranding: Interview with Angela Mitropoulos
Graphic Design Against Brexit (and Beyond), Laura Gordon
Design Activism: A Conversation by the Decolonising Design Group
Linkedin Society, Silvio Lorusso
Hardwired Hegemony: Art & Design After Neoliberalism, Luke Pendrell and James Trafford

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Modes of Criticism 3 – Design and Democracy, Onomatopee, 2017
Modes of Criticism 3 – Design and Democracy, Onomatopee, 2017
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
A review of the memorial exhibition of Edward McKnight Kauffer at the Victoria and Albert Museum in 1955 by F.H.K. Hernion

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Japanese modern design was heavily influenced by European art movements, particularly modernism and the Bauhaus school. As Japan's advertising industry expanded, it increasingly drew from Western culture, especially television and film, resulting in designs that were eclectic, vibrant, and infused with modernist energy.

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The collection of works I've gathered, designed for Olympia-Werke, showcases the height of mid-century German commercial artistry. The work was collated in a branded folder and contained forty brochures, advertisements and manuals.

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Omnibus was Published by the journalism working group of the Technical University of Braunschweig. A square publication measuring 290mm. The publication included features on politics, arts and culture. With advertisements carefully selected to be in keeping with the visual aesthetic. Content also included exhibition information and a fine example of concrete poetry, among artists such as Schröder-Sonnenstern and Sine Hansen.