Modes of Criticism 5 – Design Systems, Onomatopee, 2019

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Contents
Graphic Design Systems, and the Systems of Graphic Design Francisco Laranjo
Porto Design Biennale, Research Residencies Luiza Prado & Pedro Oliveira, ACED, Ruben Pater, Demystification Committee
One Size Fits All Ruben Pater
Fluttering Code: A Cultural and Aesthetic History of the Split-flap Display Shannon Mattern
Anything with a Shape Cannot Be Broken Ian Lynam
Co-Creating Empowering Economic Systems – Strategies for Action Brave New Alps
Lining Out Georgina Voss

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Modes of Criticism 5 – Design Systems, Onomatopee, 2019
Modes of Criticism 5 – Design Systems, Onomatopee, 2019
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The stories of Norwich’s medieval merchants’ marks is being told in a new book and exhibition.

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Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978. 

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As a chemist, I have an obligation to be curious – I grab a stack of our chemical journals and start with the advertising section. I start it, the walk through the sand. I don’t want to deny some oases. But soon I’m bored and tired.
The background of Kamekura's mark designs is his boldness in eliminating all the waste, combining simplification derived from Japanese traditional family crests and Western intellectual mechanics of formation with a sharp modern sense of composition.