Willem Sandberg - Dutch Designer and Illustrator

Nele Renee Bode / Vrolijke vrouwentooi, Stedelijk Museum, 1956

Information

Softcover, single folded sheet printed both sides

Details

Willem Jacob Henri Berend Sandberg, commonly known as Willem Sandberg, was born in 1897 in Amersfoort, Netherlands. In 1945, Sandberg became the director of the Stedelijk Museum, where he was responsible for artists and art forms, designing many of the museum's catalogues, posters, and exhibitions using his typographic experiments. He designed around 380 posters and over 250 catalogues and also collaborated with other designers, including Otto Treumann and Dick Elffers.

Linked Information

Nele Renee Bode / Vrolijke vrouwentooi, Stedelijk Museum, 1956. Catalogue design by Willem Sandberg
Nele Renee Bode / Vrolijke vrouwentooi, Stedelijk Museum, 1956. Catalogue design by Willem Sandberg

 

Nele Renee Bode / Vrolijke vrouwentooi, Stedelijk Museum, 1956. Catalogue design by Willem Sandberg
Nele Renee Bode / Vrolijke vrouwentooi, Stedelijk Museum, 1956. Catalogue design by Willem Sandberg
Fold out catalogue design no. 144 for the Stedelijk Museum by Dutch designer Willem Sandberg.
Willem Jacob Henri Berend Sandberg, commonly known as Willem Sandberg, was born in 1897 in Amersfoort, Netherlands. In 1945, Sandberg became the director of the Stedelijk Museum, where he was responsible for artists and art forms, designing many of the museum's catalogues, posters, and exhibitions using his typographic experiments. He designed around 380 posters and over 250 catalogues and also collaborated with other designers, including Otto Treumann and Dick Elffers.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

One of Otl Aicher's lesser-known works was the identity and publicity for the Gastein Valley. Gastein valley was a resort for the elderly, an Austrian Alpine village in the Austrian state of Salzburg

Members Content

Nikon commissioned Yusaku Kamekura to design numerous posters, packaging designs and advertisements for Nikon. He used abstract forms, an impactful use of colours, along with his skilful reduction of messaging.
In Rau's case, the combination of graphic design and photo produces a particularly positive result, since he uses the photo not so much as an object of representation but rather as a suggestive means of expression.
My lectures and workshops also help bridge the gap between academia and industry. Through my lectures and collecting, I strive to promote design as a ever-changing dynamic industry that has the power to shape and improve the world we live in.