New Scientist, Vol 48, No. 725, October 1970

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Designer Unstated
New Scientist

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New Scientist, Vol 48, No. 725, October 1970
New Scientist, Vol 48, No. 725, October 1970
More graphic design artefacts
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Gottschalk + Ash by Bill Bantey, 1970

Corporate Identity & Branding, Design Archive Feature, Regional Histories, Studios & Collectives

Gottschalk + Ash by Bill Bantey, 1970

When Fritz Gottschalk and Stuart Ash joined forces in Montreal, it was a partnership ideally suited to the city's hybrid environment. Gottschalk's training in graphic design in Switzerland, Paris and London was rigid, his background European; Ash, Canadian born and educated, was trained in the North American fashion, though he was influenced by his work with European designers

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Siegfried Odermatt and the Swiss Design for Grammo Studio

Corporate Identity & Branding, Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories

Siegfried Odermatt and the Swiss Design for Grammo Studio

A fantastic example of Swiss design for brand systems is the brand and advertising by Siegfried Odermatt commissioned by Grammo Studio in Zurich.

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The Work of Bradbury Thompson for Westvaco Inspirations for Printers

Design Archive Feature, Members Only Content

The Work of Bradbury Thompson for Westvaco Inspirations for Printers

Westvaco Inspirations was founded in 1925 by the West Virginia Pulp and Paper Company. Bradbury Thompson’s produced approximately sixty issues, experimenting with typography, photography, and illustrations.

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