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Content includes:
John Halas – Graphics in motion II, television graphics today
Hans Wichmann – Mendell & Oberer, stereometric sculptures form exemplary accents in a new town
Christof Michaels – Helmut Langer, Marina Langer-Rosa, individual design for institutions and enterprises
Alexandre Alexandre – Franciszek Starowieyski, film posters
Liselotte Hansmann – Jazz Power, an advertising campaign of the ’Deutsche Grammophon Gesellschaft’
Remigius Netzer – ’Der Schöne Grosse Alexandre’,a picture-book by Erhard Göttlicher

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Novum Gebrauchsgraphik, 5, 1975. Cover design by Frieder Grindler + Dieter Zimmermann
Novum Gebrauchsgraphik, 5, 1975. Cover design by Frieder Grindler + Dieter Zimmermann
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Stephan Kantscheff (Stephan Kanschev) was a Bulgarian artist born in Kaefer, Todental. His colourful palette and joyous, folk-esque illustrations won him many commissions and his work was celebrated for both its quality and social significance.
Among the young graphic artists of Berlin, who set to work after the war, Hans Adolf Albitz and Ruth Albitz-Geiß can claim special attention. In a short time, at a period when economic conditions were pretty unfavourable, they worked themselves so to the fore that their names came to mean something in Berlin publicity, and in western Germany their posters are known and appreciated, too.
Simon Dixon is the co-founder of DixonBaxi and has been at the forefront of exceptional design from the start of his carreer. This year, DixonBaxi, celebrated twenty years in business, and their team of forty work with clients such as WWE, MAX, Premier League, Channel 4 and Netflix.
The covers of the periodical ALMANAQUE, which was published in Lisbon, are perfect examples of this pleasure in the unusual and the force of with which all sorts of foreign influences are assimilated.