Content includes:
John Halas – Graphics in motion II, television graphics today
Hans Wichmann – Mendell & Oberer, stereometric sculptures form exemplary accents in a new town
Christof Michaels – Helmut Langer, Marina Langer-Rosa, individual design for institutions and enterprises
Alexandre Alexandre – Franciszek Starowieyski, film posters
Liselotte Hansmann – Jazz Power, an advertising campaign of the ’Deutsche Grammophon Gesellschaft’
Remigius Netzer – ’Der Schöne Grosse Alexandre’,a picture-book by Erhard Göttlicher
From the graphic design archive:
Design Archive Feature, Members Only Content
An overview of graphic design in 1900, exploring Art Nouveau, the Eckmann-Schrift typeface, the Steglitz Workshop, the Doves Press and more, illustrated with artefacts from the Design Reviewed archive.
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Why Graphic Culture Matters is a compilation of 46 thought-provoking essays by renowned design critic Rick Poynor, delving into the realms of art, design, and visual communication.
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Design Archive Feature, Design Education, Members Only Content, Regional Histories, Typography & Type Design
The August 1964 issue highlights the Typography class at the Pratt Institute in New York, a relatively new course at the time. Pratt, one of the most renowned art schools in the United States, had departments for graphic design, painting, art education, industrial design, and applied graphics in the 1960s. The typography course combined theoretical lectures with practical workshops, aimed at students beginning their journey into the discipline.
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