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Content includes:
Claus Carle – On the Reality of Phantasy – The Work of Ute and Hans Ulrich – Osterwalder, Hamburg
Alexandre Alexandre – Eric Malaise, Paris – Documentary and Advertising Photography
Remigius Netzer – Graphic Events – The Illustrator Erhard Gottlicher
Hans Kuh – Two New Display Types for Photo Composition
Jacques Paul Dauriac – Mt. Vesuvius in 19th Century Pictures – The Poetic Charm of Souvenirs from Naples
Jan Berger – \” Polygon \” – A Polygon of Porcelain and Glass – The New Style of the Rosenthal – Studio Line
Sigwart Blum – Guillermo Gonzales Ruiz and Ronald Shakespear – A Team of Graphic Artist from Argentina

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Novum Gebrauchsgraphik, 6, 1973. Cover design by Victor Vasarely
Novum Gebrauchsgraphik, 6, 1973. Cover design by Victor Vasarely
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.