Novum Gebrauchsgraphik, 6, 1973

Information

Content includes:
Claus Carle – On the Reality of Phantasy – The Work of Ute and Hans Ulrich – Osterwalder, Hamburg
Alexandre Alexandre – Eric Malaise, Paris – Documentary and Advertising Photography
Remigius Netzer – Graphic Events – The Illustrator Erhard Gottlicher
Hans Kuh – Two New Display Types for Photo Composition
Jacques Paul Dauriac – Mt. Vesuvius in 19th Century Pictures – The Poetic Charm of Souvenirs from Naples
Jan Berger – \” Polygon \” – A Polygon of Porcelain and Glass – The New Style of the Rosenthal – Studio Line
Sigwart Blum – Guillermo Gonzales Ruiz and Ronald Shakespear – A Team of Graphic Artist from Argentina

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Novum Gebrauchsgraphik, 6, 1973. Cover design by Victor Vasarely
Novum Gebrauchsgraphik, 6, 1973. Cover design by Victor Vasarely
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
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His distinctive style echoes the artistic expressions of fellow Italian designers Giovanni Pintori and Erberto Carboni. Tovaglia's mastery in taking concepts and translating them into visually compelling narratives is evident in this selection of advertisements I have scanned from Gebrauchsgraphik, 10, 1955.

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Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978. 

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Hiroshi Ohchi was a prominent Japanese designer, known for his playful and imaginative illustrated poster and packaging designs. He often combined bright colours with simple geometric forms and illustrated people and humanistic elements.

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After researching further into the work designed by their practice, I found ten programmes designed between 1958 and 1960. These programmes were designed for a variety of live jazz events in Germany and all followed the same format.