Information

Content includes:
Redaktioneel
Het ‘Van Dam-offensief’ bouwt verder by Peter Drijver, Martin Aarts
Unbehagen by Jenneke ter Horst, Nel Brouwer, Pieternel Fortuyn
De prachtige norm en het gebouw by Jaap van den Bout, Stef van der Graag, Jan Hoffmans, Jan de Waal
Gimmie shelter by Louis Aussen, Peter Drijver, Paul Heimplaetzer
De constructivisten terug in de stad by Martin Aarts
De Kruisplein-prijsvraag by Stef van der Graag
Illusie en verleiding rond de Kruisplein-prijsvraag by Peter Drijver, Janne Hobus
Henk Döll, Francine Houben, Roelf Steenhuis by Plan Ozoo

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Linked Information

OASE 04, 1982. Cover design by Eric Hordijk
OASE 04, 1982. Cover design by Eric Hordijk
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.