Information

Content includes:
Like Bijlsma, Terenja Van Dijk, Filip Geerts, Editorial, Architecture and the Tourist Lanscape
Tom Avermaete, Travelling Notions of Public and Private, The French Mass Tourism Projects of Candilis-Josic-Woods
Marie Wozniak, Snow Ships, French Alps, 1960-2000
Lisa De Visscher, The Modern and The Everyday, Leisure-Culture during Les Trentes Glorieuses
Helen Tomasm, Lanzarote, Wonderground
Bruno Vayssière, Production of Tourism and Territory, The Other Grands Ensembles
Salomon Fraustom, Between the Tourist Strip and the Grand Hotel, A Documentary Interpretation of Legorreta’s Camino Real Hotel at Ixtapa
Jos Bosman, Leisure as a Programma, Pure Nature as a Location, Free Form as an Architectural Motif

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Linked Information

OASE 64, 2004. Designed by Karel Martens, Radim Pesko, Werkplaats Typografie
OASE 64, 2004. Designed by Karel Martens, Radim Pesko, Werkplaats Typografie
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.