Information

Content includes:
Christoph Grafe, Klaske Havik, Madeleine Maaskant, Editorial
Christophe Van Gerrewey, Total Abscence of Illusion, Unlimited Commitment
Wim Cuyvers, From the Dream of the Novel Turned to Stone to the Acknowledgment of Public Space
David Mulder, A Lifelong Limousine, A discussion of Jonathan Safran Foer’s Extremely Loud & Incredibly Close (2005)
Klaske Havik, Lived Experience, Places Read: Toward an Urban Literacy
Hüsnü Yegenoglu, Melancholy and the City, A discussion of Orhan Pamuk’s Istanbul: Memories of a City (2005)
Katja Grillner, Rolf Hughes, Room within a View: A conversation on Writing and Architecture
Harald Mooij, Things that Pass By, A discussion on Winfried Georg Sebald’s Austerlitz (2001)
Madeleine Maaskant, Manet van Montfrans, The National Museum of Ethnology, a Dream
Arthur Wortmann, God is a House, A discussion of Mark Danielewski’s Houe of Leaves (2000)
Koen Deprez, Leafing through Space
Sebastiaan Veldhuisen, I Wrap Myself in this Town A discussion of György Konrad’s The Town Planner (1977)
Ed Taverne, Kan mann in Hoyerswerda küssen?’, Franziska Linkerhand (1973), an architectural novel by Brigitte Reimann

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OASE 70, 2006. Designed by Karel Martens, Louise Dossing, Susanne Stetzer, Werkplaats Typografie
OASE 70, 2006. Designed by Karel Martens, Louise Dossing, Susanne Stetzer, Werkplaats Typografie
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.