Content includes:
Maarten Delbeke, Tom Vandeputte, The Presence of the Baroque
Dirk De Meyer, Bohemian Baroque Culture and Folk Devotion
Tom Vandeputte, Processing History, Nicholas Hawksmoor’s Replicas
Martijn van Beek, The Limits of Infinity, Sigfried Giedion and the Evolution of the Reception of Guarino Guarini
Luigi Moretti, Le serie di strutture generalizzate di Borromini (1967)
Andrew Leach, On Moretti: Last of the Moderns
Hans Scharoun, The Message of Baroque (1964)
Christoph Grafe, Hans Scharoun: Culture Is Life with a Unified Structure
Maarten Delbeke, Roma Interrotta, Barok Rome als een (post-)modernistisch model
Irina Davidovici, System, Gesture, Unity Baroque Tendencies in the Work of Valerio Olgiati
Job Floris, Notion on the Work of Hermann Czech
Ruben Molendijk, The Baroque Fun of Christ & Gantenbein, A Conversation with Emanuel Christ
Christian Kieckens, Luce! Dammi luce!
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Advertising Design, Design Archive Feature, Members Only Content, Regional Histories
The clear, rational, and functional design of 1960s industrial design brochures.
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Design Archive Feature, Illustration, Members Only Content
Little is known about the talented designer Günther Glückert. Born during the 1930s, a period that proved less than conducive to nurturing youthful artistic endeavours, did not halt Glückert's path of becoming a talented designer.
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Design Archive Feature, Magazines & Publishing, Members Only Content, Regional Histories
Industrial design was an American design magazine featuring furniture, ceramics, housewares, appliances, automobiles, buildings, radios, projectors, televisions, and many other objects designed for the postwar middle class. First published in the 1950s by Charles Whitney with Alvin Lustig as art director.
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